With her marriage on the rocks and looking for a fresh start, Carole King moved to Los Angeles in 1967. More specifically, Laurel Canyon, where she fell in with the nascent singer/songwriter crowd. She and bassist/boyfriend Charles Larkey (formerly of the Myddle Class, a band she and then-husband Gerry Goffin had signed to their record label) soon formed a band, adding old friend from NYC, guitarist Danny Kortchmar. The trio spent time at King's house working on a batch of songs she had written with Goffin (some previously released by other acts, some not), plus some co-written by another member of Myddle Class, Don Palmer, and fellow Brill Building refugee Toni Stern. Thanks to their industry connections it wasn't long before they had a record deal. Adding drummer Jim Gordon and naming themselves the City, they hit the studio with Lou Adler producing. The outcome of the sessions was the thoroughly charming Now That Everything's Been Said LP. Released in 1968 on Ode Records, the album had one foot in the kind of radio pop bands like the Monkees and the Mamas & the Papas were cranking out and another in the earthy, homegrown realm of singer/songwriters like Joni Mitchell and, a few years later, King herself.
These two late-'60s albums were released at the peak of Joe South's commercial success and visibility, coinciding with his hits "Games People Play" (which appears on 1968's Introspect) and "Walk a Mile in My Shoes" (which is on 1969's Don't It Make You Want to Go Home?). This Raven reissue combines both records onto one CD, with the addition of the way-cool psychedelic soul outing "Hole in Your Soul" (from the Games People Play album) as a bonus track.
Basic Blues Magoos (1968) – the final long-player with the lineup of Ralph Scala (keyboards), Ronnie Gilbert (bass), Emil "Peppy" Thielheim (guitar), Mike Esposito (lead guitar) and Geoffrey Daking (drums) – is arguably their best and easily most progressive outing. Perhaps this can partially be credited to the combo's retreat from creating in the comparatively uninspired environs of a studio. Instead, they essentially cocooned themselves into their legendary Bronx, New York digs, which at one time had been inhabited by none other than Gram Parsons…
The Beat Goes On is the second album by the American psychedelic rock band Vanilla Fudge, released in early 1968. The album doesn't contain any real "songs", but rather a sound collage featuring many different elements: the voices of world leaders past and present, the band reciting pre-written mantras and reflections, and excerpts of songs (done "Vanilla Fudge style") by The Beatles and Sonny Bono. While not as successful as their debut album, The Beat Goes On was a moderate hit despite the band's reservations, peaking at #17 on the Billboard album charts in March 1968.
An expensive but enormously profitable war picture, Where Eagles Dare centers upon a daring rescue and even more daring escape. Disguised as Nazi officers, commandoes Maj. John Smith (Richard Burton), Lt. Morris Schaffer Clint Eastwood and six other courageous souls parachute behind enemy lines. Their mission: to rescue an American general, held captive in a supposedly impenetrable Alpine castle. Aiding and abetting the commandoes are Allied undercover agents Mary (Mary Ure) and Heidi (Ingrid Pitt). Also on hand is a British officer (Patrick Wymark), who masterminded the mission. Somewhere, somehow, someone amongst the Allies is going to turn out to be a traitor. There's also a neat plot twist in store when the commandoes manage to reach the American general – which leads to yet another twist. The vertigo-inducing climax has made Where Eagles Dare one of the most sought-after of "early" Eastwood starring features. The film was written directly for the screen by espionage novelist Alistair MacLean.