Digitally remastered two-fer containing a pair of Chess Records albums from the Blues great: 1966's Muddy, Brass And The Blues and 1973's Can't Get No Grindin'. Muddy, Brass And The Blues was a massive undertaking in direction which a couple of years later John Mayall.
Two classic Hooker LPs, all digitally re-mastered, 22 solid slabs of dark, leathery, brooding nostalgia. This is the electric blues at its very roots. If there’s still anyone out there reading this magazine who hasn’t at least one Hooker album in their collection, then you’re still a long way from qualifying as a blues aficionado. So this is a good place to start. This stripped-bare, one man and a growling electric guitar (on most tracks) music is the stuff those guys who fled the south for the auto production lines in the north used to listen to.
On March 21st, 2016, a few weeks prior to the release of the Santana IV album, the classic line-up of Santana (Carlos Santana (guitar, vocals); Neal Schon (guitar, vocals); Gregg Rolie (keyboards, vocals); Michael Shrieve (drums); Michael Carabello (congas, backing vocals); with Karl Perazzo (percussion, vocals), Benny Rietveld (bass) with special guest vocalist Ronald Isley) took to the stage at the House Of Blues in Las Vegas…
Bluesbreakers with Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist – more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers…
Original rocking Blues from New Jersey's best loved Bluesman! Produced by Bob Lanza and recorded at Skylab Recording studio in Roosevelt, New Jersey, Time to Let Go is Bob’s fourth album release. Its 11 tracks, a mix of soulful originals and cool covers, showcase Bob’s powerful blues guitar work and sinewy vocals. Bob Lanza sums up the music on Time to Let Go with this message: “the blues is alive and it’s coming to get you!!”
The Blues Overdrive, European Blues Awards 2015 Winners, for the years best blues album, "Clinch". “On this album we have tried to cut to the chase and get the sound as minimalistic as possible. It’s about getting into the core of the songs. We tease other genres and use fragments from tunes of old masters like Lightnin’ Hopkins and Robert Jr. Lockwood. That way we can keep within the blues tradition, but without it becoming a museum act or irrelevant in 2015.” “In blues circles too often there is too much focus on long solos and too little about the overall presentation of the songs! We are trying to avoid this the best we can!“ –Martin Olsen, Blues Overdrive
Eddy Clearwater is equally talented as a bluish singer and as an improvising guitarist. On Reservation Blues, he ranges from Chicago blues to rock & roll, throwing in a couple instrumentals too. His repertoire includes both socially relevant lyrics and good-time music, featuring some of the latter when the former gets a bit too somber. Although there are some solid solos from his supporting players (including three guitar spots for Duke Robillard, two fine solos from tenor saxophonist Dennis Taylor, and a guest appearance by Carey Bell on harmonica during "Find Yourself"), Clearwater is the main star throughout. Fortunately, he is heard in prime form, whether happily jamming "I Wouldn't Lay My Guitar Down" and "Blues Cruise" or singing in a more serious mood on "Winds of Change" and "Everything to Gain." A gem.