Bob Dylan The Cutting Edge 1965 1966: Bootleg Series Vol. 12 {collector's Edition}

Bob Dylan - The Cutting Edge 1965-1966: Bootleg Series Vol. 12 {Deluxe Edition} (2015) [24-96]

Bob Dylan - The Cutting Edge 1965-1966: Bootleg Series Volume 12 (2015) [Deluxe Edition]
FLAC (tracks) 24-bit/96 kHz | Time - 429:46 minutes | 8,71 GB
Studio Master, Official Digital Download | Artwork: Front cover

The sessions that changed the world - The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 collects outakes, rehearsals and alternate versions of songs that would later be heard on Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde. 3 albums that would go on to change the face of rock and roll forever. The Bootleg Series combs the Dylan vaults for unreleased and live recordings, and this may be the very best yet showing Dylan at his "electric" period. Importantly, The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 (Deluxe) provides a rare exploration into Dylan's creative process in the studio, allowing fans to experience another side of Bob Dylan through the evolution of his songs and recordings from this truly groundbreaking period. This Deluxe edition is 111 tracks in six sets.
Bob Dylan - The Cutting Edge 1965-1966: Bootleg Series Vol. 12 {Collector's Edition} (2015) [24-96] RE-UP

Bob Dylan - The Cutting Edge 1965-1966: Bootleg Series Volume 12 (2015) [Collector's Edition]
FLAC (tracks) 24-bit/96 kHz | Time - 19 hours 4 minutes 36 seconds | ~ 22,8 GB
Studio Master, Official Digital Download | Artwork: Not available (Front included)

The 18CD Collector's Edition of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 is limited to a worldwide pressing of only 5,000 copies, and includes every note recorded during the 1965-1966 sessions, every alternate take and alternate lyrics. The 18CD edition includes Dylan's original nine mono 45 RPM singles released during the time period, and rare hotel room recordings from the Savoy Hotel in London (May 4, 1965), the North British Station Hotel in Glasgow (May 13, 1966) and a Denver, Colorado hotel (March 12, 1966) as well as a strip of original film cels from "Don't Look Back". This HD version available as download coupon to Hi-Res files included in each box.
Bob Dylan - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (Collector’s Edition) (2015)

Bob Dylan - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (Collector’s Edition)
Folk, Blues, Classic Rock, Singer-Songwriter | MP3 CBR 320 kbps | 1141:34 min | 2.71 GB + 5% Recovery
Label: Columbia / Legacy | Tracks: 379 | Rls.date: 2015

The latest chapter in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series focuses on the legendary studio sessions that produced Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde, the trilogy of album masterpieces which secured Dylan’s reputation as a songwriter and performer of unprecedented depth, power and originality while significantly impacting the course of popular music and culture. All recordings included in The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 are pristine transfers and mixed from the original studio tracking tapes.
Bob Dylan - The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 (2015) [2CD] {Columbia}

Bob Dylan - The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 (2015) [2CD] {Columbia}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 877 Mb | MP3 @320 -> 348 Mb
Full Artwork @ 600 dpi (jpg) -> 485 Mb | 5% repair rar
© 2015 Columbia / Sony Music | 88875124422
Rock / Folk Rock / Folk / Roots Rock / Songwriter

"I'll do this one more time and if I can't do it, we'll do another song. I'll do any song as good as I can do it the first time." Bob Dylan says these words once his first solo take of "Love Minus Zero/No Limit" breaks down after a minute. Dylan's definition of "good" is fluid, of course. Sometimes, a first take satisfied him – "Maggie's Farm" and "Gates of Eden" are two prime examples – but often he'd find he could do a song better or at least do it differently, swapping out words, speeding up the tempo, and changing the feel, occasionally radically transforming his song.
Sustainability at the Cutting Edge: Emerging Technologies for low energy buildings, 2nd Edition

Peter Smith "Sustainability at the Cutting Edge: Emerging Technologies for low energy buildings, 2nd Edition"
Published by Architectural Press | Publication date : April 2007 | ISBN: 0750683007 | PDF Format, 197 pages | English | 5.5 MB

Sustainability at the Cutting Edge is an essential guide to understanding the future direction of sustainable technology. This fully updated new edition deals not only with current best practice and state of the art case studies, but with the very latest emerging technologies which will transform the relationship between buildings and energy.

Critical Race Theory: the cutting edge (repost)  

Posted by libr at Aug. 21, 2012
Critical Race Theory: the cutting edge (repost)

Critical Race Theory: the cutting edge By Richard Delgado
English | 2 edition 1999 | 681 Pages | ISBN: 1566397146 , 1566397138 | PDF | 32 MB

This tightly edited volume contains the finest, highly accessible articles in the fast-growing legal genre of critical race theory a field which is changing the way this nation looks at race, challenging orthodoxy, questioning the premises of liberalism, and debating sacred wisdoms. Including treatments of two new, exciting topics Critical Race Feminism and Critical White Studies this volume is truly on 'the cutting edge'. Questions for discussion and reading suggestions after each part make this volume essential for those interested in law, the multiculturalism movement, political science, and critical thought.
Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372}

Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.05 Gb | MP3 @320 -> 459 Mb
Full Artwork @ 600 dpi (png) -> 0.98 Gb | 5% repair rar
© 1966-68, 2016 Columbia / Legacy / Sony Music | 88985357372
Jazz / Hard Bop / Modal Music / Trumpet

A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
Bob Dylan and The Band - The Bootleg Series, Vol. 11: The Basement Tapes (Complete Edition '2014)

Bob Dylan & The Band - The Bootleg Series, Vol.11: The Basement Tapes - Complete (2014)
FLAC (tracks) 24-bit/44,1 kHz | Time - 394:51 minutes | 4,13 GB
Studio Master, Official Digital Download | Artwork: Full CD Booklet
Chronicling Dylan's legendary 1967 sessions with The Band / Compiled from meticulously restored original tapes

The Basement Tapes Complete brings together, for the first time ever, every salvageable recording from Bob Dylan's legendary 1967 recording sessions with members of his touring ensemble who would later achieve their own fame as The Band.
Bob Dylan & The Band - The Bootleg Series, Vol. 11: The Basement Tapes - Complete (2014) [6CD] {Columbia}

Bob Dylan & The Band - The Bootleg Series, Vol. 11: The Basement Tapes - Complete (2014) [6CD] {Columbia}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.11 Gb | MP3 @320 -> 944 Mb
Full Artwork @ 300 dpi (jpg) -> 78 Mb | 5% repair rar
© 2014 Columbia / Legacy / Sony Music | 8875016122
Rock / Folk Rock / Roots Rock / Songwriter

Preserving newly written Bob Dylan songs for copyright is the reason why the Band's Garth Hudson rolled tape at Big Pink but The Basement Tapes were something much more than songwriting demos. Greil Marcus dubbed it a celebration of the "Old, Weird America" in his 1997 book Invisible Republic, connecting these songs to Harry Smith's Anthology of American Folk Music, adding an extra layer of myth to tapes that were shrouded in mystery from the moment bootlegs started to circulate. The Basement Tapes Complete strengthens portions of that legend while simultaneously puncturing it. Certainly, the six-disc box – its first five discs assembled according to Hudson's numbering system, with the sixth disc collecting sessions discovered later – feels substantially different from the LP released in 1975, where the overall picture was distorted by Robbie Robertson adding sometimes significant overdubs and including Band recordings that weren't cut during those seven months in 1967.
Bob Dylan & The Band - The Bootleg Series, Vol. 11: The Basement Tapes - Raw (2014) [2CD] {Columbia}

Bob Dylan & The Band - The Bootleg Series, Vol. 11: The Basement Tapes - Raw (2014) [2CD] {Columbia}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 695 Mb | MP3 @320 -> 291 Mb
Full Artwork @ 600 dpi (png) -> 1.09 Gb | 5% repair rar
© 2014 Columbia / Legacy / Sony Music | 88875019672
Rock / Folk Rock / Roots Rock / Songwriter

A double-disc distillation of the six-disc box The Basement Tapes Complete, The Basement Tapes: Raw can't quite be seen as an expansion of the 1975 double-LP The Basement Tapes but rather a necessary revision. Shepherded by the Band's Robbie Robertson, that 1975 double-vinyl inserted Band recordings where they didn't belong, suggesting the group were equal partners when it was really Dylan's show.