Essential: a masterpiece of rock music
WHAM BAM THANK YOU MAM
Deeply inspired by the rise and fall of Vince Taylor (whom Bowie incidentally met in 1971). David/Ziggy will mix this story with science-fiction themes, the atmosphere of the star rock system mixing the whole stuff with his androgynous look. Ziggy will appear as such on stage. Intelligent glam rock? Probably.
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars…
BOWIE - LEGACY will be released via Parlophone in November. The album collects together a selection of Bowie’s most popular tracks and singles, from 1969’s ‘Space Oddity’, through to the final singles ‘Lazarus’ and ‘I Can’t Give Everything Away’, issued earlier this year. BOWIE - LEGACY will be available as a 1 CD and a Deluxe 2 CD from November 11th. These will be followed by a double vinyl album version on January 6th, 2017. All formats of BOWIE - LEGACY feature a previously unreleased version of the classic 1971 Hunky Dory track, ‘Life On Mars?’, remixed by its original producer Ken Scott. From his very first recordings over fifty years ago, right through to his last album Blackstar, David Bowie was at the vanguard of contemporary culture as a musician, artist, icon and a constant influence on generations of writers, artists and designers. He was, and remains, a unique presence in contemporary culture. Bowie left a legacy of inspiration in every discipline from art and fashion to acting and beyond. But, it is for his ground-breaking music that he will be best remembered. BOWIE - LEGACY is an introduction to a world of incredible music, just waiting to be enjoyed by a whole new generation.
David Bowie had dropped hints during the Diamond Dogs tour that he was moving toward R&B, but the full-blown blue-eyed soul of Young Americans came as a shock. Surrounding himself with first-rate sessionmen, Bowie comes up with a set of songs that approximate the sound of Philly soul and disco, yet remain detached from their inspirations; even at his most passionate, Bowie sounds like a commentator, as if the entire album was a genre exercise. Nevertheless, the distance doesn't hurt the album – it gives the record its own distinctive flavor, and its plastic, robotic soul helped inform generations of synthetic British soul.