Ennio Morricone Fat Man And Little Boy

Ennio Morricone - Fat Man And Little Boy: Music From The Paramount Motion Picture (1989) 2CD Limited Edition 2011 [Re-Up]

Ennio Morricone - Fat Man And Little Boy: Music From The Paramount Motion Picture (1989) 2CD
EAC | APE (Image) + cue.+log ~ 500 Mb | Mp3, CBR320 kbps ~ 258 Mb | Scans ~ 115 Mb
Soundtrack, Score | Label: La-La Land Records | # LLLCD 1196 | 01:44:05

La-La Land Records presents the world premiere release of acclaimed composer Ennio Morricone s (ONCE UPON A TIME IN AMERICA, THE MISSION, THE UNTOUCHABLES) original score to Paramount Pictures 1989 docudrama FAT MAN AND LITTLE BOY, starring Paul Newman, Dwight Schultz and John Cusack, and directed by Roland Joffe. Never before released in any format, Mr. Morricone s hauntingly beautiful and complex orchestral score receives a definitive, 2-CD treatment that demonstrates the composer s notable skill in emotionally interpreting what is at once an amazing and tragic chapter in mankind s history the birth of the atom bomb. Full of dramatic suspense, passion, sadness and gravitas, this is a notable, major Hollywood work by Morricone that is ripe for discovery. Produced by Dan Goldwasser and mastered by Mike Matessino, this special 2-CD release includes source cues, alternates and exclusive, in-depth liner notes by film music writer Daniel Schweiger.
Fat Man And Little Boy (aka Shadow Makers in the UK) (1989) [Re-Up]

Fat Man And Little Boy (aka Shadow Makers in the UK) (1989)
DVD9 | VIDEO_TS | NTSC, 16:9 (720x480) VBR | 02:06:25 | ~ 7.8 Gb
Audio: English AC3 5.1 @ 448 Kbps / 2.0 @ 192 Kbps; French AC3 2.0 @ 192 Kbps | Subs: English
Genre: Docudrama, Historical

"Fat Man" and "Little Boy" were the nicknames given the atomic bombs that were dropped over Hiroshima and Nagasaki in the waning days of World War II. This elaborately assembled film is the story of the events leading up to the dawn of the atomic age. Paul Newman plays General Leslie Groves, a hard-nosed career soldier who in 1942 finds himself the reluctant "nursemaid" to a group of idealistic scientists in Los Alamos, New Mexico. As the military head of the top-secret Manhattan Project, Groves intends to have the operation run by the book–and failing that, to have things his way at all costs. The film's storyline narrows down to a battle of egos between Groves and atomic scientist J. Robert Oppenheimer (Dwight Schultz), in his own way as contentious and childishly single-purposed as the general.
Ennio Morricone - Guns For San Sebastian: Original Motion Picture Soundtrack (1968) Silver Age Classics Limited Edition 2006

Ennio Morricone - Guns For San Sebastian: Original Motion Picture Soundtrack (1968) Silver Age Classics Limited Edition 2006
EAC | FLAC | Image (Cue&Log) ~ 336 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans ~ 84 Mb
Genre: Soundtrack, Score | Label: Film Score Monthly | # FSM Vol.9 No.14 | Time: 00:59:56

It has taken eight years and over 130 CDs but FSM finally releases a score by the great Ennio Morricone: Guns for San Sebastian (1968), commonly known as a western but more accurately a historical adventure set in Mexico circa 1750. The film stars Anthony Quinn as an outlaw who is mistaken for a priest and protects a humble village against a violent tribe of Indians; Charles Bronson is the antagonist and Anjanette Comer the love interest. Filmed in Mexico, the international production is a sunburnt, action-packed look at a violent time in colonial Latin American history. The late 1960s were an especially fertile period for Ennio Morricone, whose prolific genius has enhanced hundreds of films for over 40 years. By 1968 Morricone had already scored the groundbreaking Dollars trilogy for Sergio Leone—establishing the revolutionary style for the "spaghetti" westerns—and Guns for San Sebastian preceded their western masterpiece, Once Upon a Time in the West.

Julius Hemphill - Fat Man And The Hard Blues  

Posted by Garina at Nov. 11, 2008
Julius Hemphill - Fat Man And The Hard Blues

Julius Hemphill - Fat Man And The Hard Blues
Ape & MP3, @320 | 282 Mb & 121,4 Mb | Label: Black Saint | CD 1997 | Total Time: 55:09
Recorded: July 15 & July 16, 1991

The 40s: The Story of a Decade (repost)  eBooks & eLearning

Posted by viserion at Jan. 8, 2017
The 40s: The Story of a Decade (repost)

The New Yorker Magazine, "The 40s: The Story of a Decade"
ISBN: 0679644792 | 2014 | EPUB/MOBI | 720 pages | 3 MB/4 MB
Ennio Morricone - The Very Best Of Ennio Morricone (2000) [Reissue 2015] PS3 ISO + Hi-Res FLAC

Ennio Morricone - The Very Best Of Ennio Morricone (2000) [Reissue 2015]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 72:40 minutes | Scans included | 2,15 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,34 GB

The 40s: The Story of a Decade  eBooks & eLearning

Posted by tarantoga at May 9, 2014
The 40s: The Story of a Decade

The New Yorker Magazine, "The 40s: The Story of a Decade"
ISBN: 0679644792 | 2014 | EPUB/MOBI | 720 pages | 3 MB/4 MB

Hiroshima: The World's Bomb (Repost)  eBooks & eLearning

Posted by roxul at June 3, 2012
Hiroshima: The World's Bomb (Repost)

Andrew Jon Rotter, "Hiroshima: The World's Bomb"
English | ISBN: 0199569762, 0192804375 | 2009 | 384 pages | EPUB + MOBI | 0,7 + 0,7 MB

Hiroshima: The World's Bomb  eBooks & eLearning

Posted by tot167 at Oct. 1, 2010
Hiroshima: The World's Bomb

Andrew Jon Rotter, "Hiroshima: The World's Bomb"
Oxford University Press | 2009 | ISBN: 0199569762 | 384 pages | PDF | 3,5 MB

Ennio Morricone - Crime And Dissonance (2005) 2CDs  Music

Posted by Designol at Jan. 21, 2017
Ennio Morricone - Crime And Dissonance (2005) 2CDs

Ennio Morricone - Crime And Dissonance (2005) 2CD
EAC | FLAC | Image (Cue&Log) ~ 541 Mb (incl 5%) | Scans ~ 63 Mb | Time: 01:42:05
Soundtracks, Modern Classical, Avant-Garde, Experimental | Label: Ipecac | # IPC66

This two-disc anthology assembled by Mike Patton is, after the spaghetti Western soundtracks and themes, essential Morricone. Never has his music from the strange films he scored in the 1960s and '70s been showcased in such an original and powerful way. Patton has looked closely into the experimental nature of the maestro and found plenty here to offer as well as to crow about. Many of the scores he chose from would be known only to cineastes of minor and obscure Italian films. Yet, Patton understood that Morricone loved his own process and treated crime and exploitation flicks like L'Anticristo and Forza G with the same delightful sense of adventure that he approached The Godfather and The Mission with. Here, all manner of strangeness is on offer: from psychedelic guitars and tripped-out wordless vocals to sitars, layers and layers of percussion, acid-drenched strings, an Echoplexed celeste, toy pianos, psychotic operatic voices in chorus, and more.