Released to commemorate the centenary of Carlo Maria Giulini (born 14 May 1914), this 15-CD set celebrates recordings made with the famed Viennese orchestras. Repertoire includes the complete Brahms symphonies, Bruckner Symphonies Nos. 7, 8 and 9, and a complete recording of Verdi’s Rigoletto. The set also includes the first international CD release of An die Nachgeborenen by 20th-century Austrian composer Gottfried von Einem.
This is the second in a two-box series of Giulini in America releases, reissuing recordings from the Italian conductor that have long been out of print. The first box covered Carlo Maria Giulini's recordings from the late 1970s and early 1980s with the Los Angeles Philharmonic Orchestra and focused on Beethoven and Brahms; these, from the mid-'70s, feature the Chicago Symphony Orchestra and are partly devoted to late Romantic pieces that put the famed Chicago brasses to work.
This extensive release is the second installment of a ten-volume tribute to conductor Michael Gielen. Some of Michael Gielen's very first broadcast recordings made in the 1960s were of Bruckner's symphonies. The development of the SWR Symphony Orchestra Baden-Baden and Freiburg is visible in these recordings, from the very earliest recording all the way to the incredible 2013 performance of Bruckner's Symphony No. 9. All of Bruckner's symphonies are included on this release. Four of these performances have never been previously released.
Vienna 1905: After a carnival party the famous painter Heidenick draws his otherwise engaged girlfriend Anita Helfer with very few clothes on, only blurs her face. The image makes it into the newspaper the next day - but since he can't tell the model's name without offending her influential fiancée, he comes up with the fictional name Leopoldine Dur. Unfortunately there is a secretary with that name, who now gets into the focus of high society - and into Heidenick's, much to Anita's anger.
"…It would be hard to imagine a more compelling case for this material than that made by Jaroussky and Emmanuelle Haïm, who plays harpsichord and conducts Concerto Köln. They invest this music with such life and devote such exquisite attention to its nuances that the album fully deserves the attention of fans of the Baroque or Vivaldi, or of anyone who simply cherishes hearing terrifically talented and spirited performers giving their all to music they clearly love. The album is beautifully produced and has clean, vibrant, and natural sound, with excellent balance." ~allmusicguide