This is yet another Harry Chapin anthology, which, like the others, is a fine representation of his career. All the hits are here, "Taxi," "Cat's in the Cradle," "W.O.L.D.," "Mr. Tanner," and the like, which are detailed well in the liner notes. This set may be a better choice for the casual fan as opposed to Story of a Life: The Harry Chapin Box Set, as it is more concise. There are also some interesting snipets taken from various interviews and events, which offer a window into Chapin's strong ideals and also his sense of humor.
On the Road to Kingdom Come sounded more like a rock album than anything Harry Chapin had done to date. In the hands of sympathetic producer/arranger Stephen Chapin, Harry's songs are infused with clever and often humorous bits of musical commentary – horns, electric guitars, keyboards, backing vocals, and various sound effects pop up at opportune times throughout – that makes much of the material instantly ingratiating.
Originally released in 2002 on the Northern Blues label, Wise & Otherwise is not only one of Harry’s best albums; it’s one of the best blues discs in recent years. Fans of the Mohan Veena will be charmed with this offering. The exotic instrument is the centre of the traditional song “Death Have Mercy”, as well as the perennial favourite ballad “Coat Of Mail”. Wise & Otherwise also features Harry’s unique version of The Thrill is Gone” where Manx successfully combines the classic blues track with a traditional Indian raga. Harry Manx on vocals, six string lap slide guitar, mohan veena, banjo and harmonica.
She's blonde…she's beautiful…she's Deborah Harry! Best known as the vocalist and focal point for the NY New Wave/Punk band Blondie, Deborah continued to record memorable albums under her own name after her band imploded in the early '80s. This collection features the cream of the solo years and includes great tracks like 'I Want That Man', 'The Jam Was Moving', 'Rush Rush', 'French Kissin' In The USA' and her collaborative contribution with Iggy Pop to 1990's Red, Hot & Blue AIDS charity album, 'Well… Did You Evah!'. 18 tracks including a few bonus remixes of 'I Want That Man'.
The Best That I Could Do is an appropriately self-deprecating title for John Mellencamp's greatest-hits collection, considering that the heartland rocker never seemed too convinced of his own worth. Of course, he had to struggle to get any respect after he was saddled with the stage name Johnny Cougar early in his career, but this 14-track collection proves that he was one of the best, unabashed straight-ahead rockers of the '80s. The 14 tracks here actually turn out to be a little too short to contain all of his great singles – songs like "Rain on the Scarecrow," "Rumbleseat," "Pop Singer," "Again Tonight," and "What If I Came Knocking"…
For those needing a reminder of Cole's very original and expert piano playing, this 18-track roundup of some of his best instrumentals should fit the bill. Part of Capitol's three-volume series of Cole's classic trio sides (the other two cover the vocals), The Best of the Nat King Cole Trio includes gem after gem from the group's 1943-1949 prime and features the classic lineup that included guitarist Oscar Moore and bassist Johnny Miller. With Cole and Moore seamlessly blending lines throughout, the group forged the standard for many a piano trio to follow by way of classics like "Jumpin' at Capitol," "Sweet Georgia Brown," and "These Foolish Things"…
Features 24 bit remastering and comes with a mini-description. Recorded live at the 1971 Montreux Jazz Festival, the blistering Mongo at Montreux captures Mongo Santamaria in the absolute prime of his career, embracing all facets of his expansive musical vision for a set that is far more than the sum of its parts. Spanning from soulful Latin boogaloo grooves like "Come Candela" to psychedelic jazz renditions of pop hits like the Temptations' "Cloud Nine" to straight-up funk excursions like "Climax," Mongo at Montreux is relentlessly energetic music genetically engineered for dancing – most impressive of all is "Conversation in Drums," a virtual primer in Latin percussion.