Manuali di Chimica Inorganica ed Organica di G. Salomone - anzianotti ma tesori sempre utili. Il contenuto dei volumi è di un migliaio di "ricette" di laboratorio (quelle che oggi chiamiamo protocolli di preparazione) divise tra reagenti inorganici - Minerali, secondo Salomone - e organici. …[/quote
Having contributed to reshaping soul music of the mid 1960s and early 1970s via other recording artists (notably Marvin Gaye & Tammi Terrell, Aretha Franklin, Diana Ross, Chaka Khan, The 5th Dimension), Nickolas Ashford & Valerie Simpson were a long established song-writing success before expanding on this as a recording duo in 1973. Following on from their surprisingly low-key Warner Bros. debut GIMME SOMETHING REAL, their sophomore release I WANNA BE SELFISH saw Ashford & Simpson reintegrating their trademark smooth, and joyous soul sound into the quieter moods of their debut.
Stanley Clarke stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream. Clarke's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker Jeff Beck. Clarke's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and George Duke's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with Clarke by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent Stan Getz can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia."