Mitsuko Uchida Mozart Piano Concertos Nos.17 & 25 (2016)

Mitsuko Uchida - Mozart: Piano Concertos Nos.17 & 25 (2016)  Vinyl & HR

Posted by SERTiL at Nov. 2, 2016
Mitsuko Uchida - Mozart: Piano Concertos Nos.17 & 25 (2016)

Mitsuko Uchida - Mozart: Piano Concertos Nos.17 & 25
Classical | FLAC (tracks) 24-bit/96 kHz | 67:18 min | 1.12 GB | Front Cover
Label: Decca (4830716) | Tracks: 06 | Rls.date: 2016

Arguably the world’s greatest Mozart interpreter plays and conducts two of his most popular piano concerti.
Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995) (Repost)

Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995)
EAC | FLAC (image+.cue, log) - 262 MB | MP3 (CBR 320 kbps) - 178 MB | Covers + Digital Booklet | 56:24
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439941

This work is very hard to characterize emotionally, but it sighs and it sings enigmatically. Surprisingly, so many performances are very straightforward, never capturing these soulful, longing qualities that almost approach reverie at times. Not so this time. The interplay here is amazing, Pires' delicate approach is ideal for this music, and the conducting is elastic in that "Furtwanglerian" way. But don't get the impression this is bloated, Romantic Mozart…it's not. (Maybe Furtwangler wasn't the right name to evoke after all.
Mozart: Piano concertos Nos. 17, 20, 21, 23, 24 - Rubinstein; RCA Victor Symphony Orchestra; Krips; Wallenstein

W. A. Mozart: Concertos for Piano and Orchestra No. 17 K. 453; No. 20 K. 466; No. 21 K. 467; No. 23 K. 488; No. 24 K. 49 -
Artur Rubinstein, piano; RCA Victor Symphony Orchestra; Alfred Wallenstein and Josef Krips, conductors

Classical | 2 CDs | EAC V0.99 prebeta 3 Rip | 720 Mb | FLAC+LOG+M3U No cue | Full scans | RapidShare links
Publisher: RCA/BMG

Editorial Reviews
Amazon.com
It's a shame Rubinstein didn't record more of Mozart's music, for his obvious affinity for the composer shines through these 1958-1960 stereo recordings of five concertos. Rubinstein's Mozart is forthright–he refuses to sentimentalize by swooning over the music's beauties or to indulge in larger-than-life playing that would rupture its classical framework. Even in the famous Andante of the 21st Concerto, his melting legato traces the curve of the melody without excess. Moderation was his byword, so while there are times one could wish for over-the-top risk taking–a more unbuttoned Allegro of the K. 453, a tad more melodrama in the first movement of the K. 466, some extra sizzle in the outer movements of K. 488–what we have is built to last for the long term. These are performances you can't get tired of. There's a general sense of rightness about tempo choices, and everything, from the singing tone to the exquisite phrasing to the perfectly managed transitions, reflects a master pianist playing music he feels deeply. The accompaniments are fine and the transfers significantly improved over past issues.
–Dan Davis

Mozart · Piano Concertos Nos. 17 & 21  

Posted by platico at March 19, 2009
Mozart · Piano Concertos Nos. 17 & 21

Mozart · Piano Concertos Nos. 17 & 21 · Maria Joao Pires · COE · Claudio Abbado
APE+CUE 213 MB | MP3 HQ (tracks) 102 MB | Easy CD-DA 12 | Booklet | No Log | 1995
Mitsuko Uchida & Cleveland Orchestra - Mozart: Piano Concertos No. 17, K. 453 & No. 25, K. 503 (Live) (2016)

Mitsuko Uchida & Cleveland Orchestra - Mozart: Piano Concertos No. 17, K. 453 & No. 25, K. 503 (Live) (2016)
Classical | MP3 CBR 320 kbps | 01:07:18 | 154 MB
Label: Decca

Arguably the worlds greatest Mozart interpreter plays and conducts two of his most popular piano concerti.
Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)

Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)
EAC | FLAC (image+.cue, log) - 241 MB | MP3 (CBR 320 kbps) - 149 MB | Covers + Digital Booklet | 52:00
Genre: Classical | Label: Deutsche Grammophon | Catalog: 4375292

Maria-Joào Pires has recorded these concertos before, for Erato, and this experience shows in assured playing. In K449 I find the sound of the Vienna Philharmonic, recorded in Vienna's Musikverein, too big: the string section seems large and the hall over-reverberant. Furthermore, the piano sounds plummy, and even those who dislike the fortepiano may question its suitability. With these reservations, one can enjoy Pires's deft and sensitive performance, without strong individuality but offering consistent intelligence, and the brisk finale shows her and Abbado at their best. Even so, this is a romanticized slow movement; the gooey orchestral sound does not help, but the pianist is also partly responsible in a way that I have sometimes noted in her performances of Mozart's sonatas.
Mozart - Piano Concertos: Nos. 5, 8, 17, 27 (Frager, Zacharias, Ranki, Madzar) (2013/1989-90)

Mozart - Piano Concertos: Nos. 5, 8, 17, 27 (Frager, Zacharias, Ránki, Madžar) (2013/1989-90)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 5 ch) | 7.22 Gb (DVD9) | 120 min
Classical | EuroArts

Mozart, who composed 21 piano concerti, can be regarded as the “inventor” of the popular piano concerto. Although J.S. Bach and his son had written numerous concerti for harpsichord or fortepiano and orchestra before him, Mozart’s enormous input to the genre is mostly due to his concerti being regarded as ‘popular music’ by his contemporaries: to be enjoyed and replaced quickly by newer works. For this series on four DVDs, the most influential, the most artistically challenging and the most popular piano concerti have been selected to be performed by the best Mozart interpreters of our time. The last volume features pianists Christian Zacharias, Malcolm Frager, Deszö Ránki and Aleksandar Madzar performing the piano concerti Nos. 5, 8, 17 & 27. The performances on this DVD were shot in highly attractive historical venues – at the Teatro Scientifico del Bibiena in Mantua, in the 18th century Schwetzingen Palace and in the Grosse Galerie at Schloss Schönbrunn in Vienna – capturing the atmosphere of Mozart’s lifetime.
Mozart - Piano Concertos: Nos. 6, 19, 20 (Zacharias, Lupu, Klansky) (2013/1989-90)

Mozart - Piano Concertos: Nos. 6, 19, 20 (Zacharias, Lupu, Klánský) (2013/1989-90)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 5 ch) | 6.43 Gb (DVD9) | 80 min
Classical | EuroArts

Mozart, who composed 21 piano concerti, can be regarded as the “inventor” of the popular piano concerto. Although J.S. Bach and his son had written numerous concerti for harpsichord or fortepiano and orchestra before him, Mozart’s enormous input to the genre is mostly due to his concerti being regarded as ‘popular music’ by his contemporaries: to be enjoyed and quickly replaced by newer works. For this series on four DVDs, the most influential, the most artistically challenging and the most popular piano concerti have been selected to be performed by the best Mozart interpreters of our time. Volume III features pianists Radu Lupu, Christian Zacharias and Ivan Klánský performing Mozart’s piano concerti Nos. 6. 19 and 20 in highly attractive venues – at the Rococo Schwetzingen Palace in the Southwest of Germany, the reconstructed Sophiensaal in Munich and the Rittersaal of Palais Waldstein in Prague.
Mozart - Piano Concertos: Nos. 1, 4, 23, 24 (Holtmann, Kocsis, Previn) (2013/1989-90)

Mozart - Piano Concertos: Nos. 1, 4, 23, 24 (Holtmann, Kocsis, Previn) (2013/1989-90)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 5 ch) | 7.22 Gb (DVD9) | 99 min
Classical | EuroArts

Mozart, who composed 21 piano concerti, can be regarded as the “inventor” of the popular piano concerto. Although J.S. Bach and his son had written numerous concerti for harpsichord or fortepiano and orchestra before him, Mozart’s enormous input to the genre is mostly due to his concerti being regarded as ‘popular music’ by his contemporaries: to be enjoyed and replaced quickly by newer works. For this series on four DVDs, the most influential, the most artistically challenging and the most popular piano concerti have been selected to be performed by the best Mozart interpreters of our time. The second volume features pianists André Previn, Zoltán Kocsis and Heidrun Holtmann performing the piano concerti Nos 1, 4, 23 and 24. The performances on this DVD were shot in highly attractive baroque venues – at the Teatro Scientifico del Bibiena in Mantua, in the Rittersaal of the Palais Waldstein in Prague and in the Grosse Galerie at Schloss Schönbrunn in Vienna – capturing the atmosphere of Mozart’s lifetime.
Mozart - Piano Concertos: Nos. 9, 12, 26 (Uchida, Ashkenazy, Francesch) (2013/1989-90)

Mozart - Piano Concertos: Nos. 9, 12, 26 (Uchida, Ashkenazy, Francesch) (2013/1989-90)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 5 ch) | 6.89 Gb (DVD9) | 95 min
Classical | EuroArts

Mozart, who composed 21 piano concerti, can be regarded as the “inventor” of the popular piano concerto. Although J.S. Bach and his son had written numerous concerti for harpsichord or fortepiano and orchestra before him, Mozart’s enormous input to the genre is mostly due to his concerti being regarded as ‘popular music’ by his contemporaries: to be enjoyed and quickly replaced by newer works. For this series on four DVDs, the most influential, the most artistically challenging and the most popular piano concerti have been selected to be performed by the best Mozart interpreters of our time. Volume I features pianists Mitsuko Uchida, Vladimir Ashkenazy and Homero Francesch each performing a concerto representing a different stage in Mozart's life. The performances on this DVD were shot in highly attractive baroque venues – at the Mozarteum, Salzburg, in Hampton Court Palace, London and in the Christian-Zais-Saal, Wiesbaden – capturing the atmosphere of a performance in Mozart’s lifetime.