This is a true gem from the Baroque era that is rarely played or recorded. These fantasies for solo violin were written in 1735, only 15 yrs after Bach wrote his infinitely famous Sonatas and Partidas for solo violin. Fans of Bach looking for new music will be happy listening to these fresh works. I really enjoy the imagination and creativity displayed here, plenty of rhythmic diversity and unattached musical ideas to spare.
After recording Vivaldi's set of Violin Concertos 'La Stravaganza', Opus 4, in 2003, Rachel Podger has been immersed in music by Mozart and Bach on disc. But it has now felt right to come back to the Venetian Maestro, whose sense of drama she adores: “This time I chose his opus 9, the set of 12 Violin concertos entitled 'La Cetra'. There are plenty of jewels in this set, just as in 'La Stravaganza', with even higher technical demands made on the soloist including many, often exotic experimental effects.”
The dynamic ensemble Brecon Baroque was founded in 2007 by violinist and director Rachel Podger as resident ensemble at her annual Brecon Baroque Festival.The international line-up consists of some of the leading lights in the period-instrument world,such as cellist Alison McGillivray,flautist Katy Bircher,oboist Alexandra Bellamy and violist Jane Rogers,as well as some of Rachel's former students who now occupy leading positions in many of Europe's finest ensembles:violinists Bojan Cicic and Johannes Pramsohler.
For those who already appreciate Rachel Podger's unique brand of magic I'll just say that this return to recorded Bach is lovely and all that one could hope for. All that one looks for is here, and there is more. For those who are not familiar with Rachel Podger, she is a unique voice among violinists. She has absorbed the principles of late Baroque performance practice and made them a part of herself, so that the articulation and inflection of that rhetorical approach to music flows from her as a natural idiom of expression.
This is a welcome addition to my collection. These little gems sparkle and make me want to look at other Vivaldi pieces. It's time to go beyond the Four Seasons. These pieces show compositional variety, the playing is nuanced and exciting, and the SACD recording is superb.
Vivaldi augmented his reputation as The Red Priest with L'Estro Armonico , Op. 3, a collection of twelve concertos for one, two and four violins. The title of the collection encapsulates the qualities that so entranced Vivaldi's contemporaries. L Estro Armonico , which might be translated as musical rapture , reflects the vitality and freshness of Vivaldi's invention: its rhythmic energy, melodic and harmonic intensity,textural sensuousness,performative brilliance and dramatic flair.
The music on this recording demonstrates how composers in Germany, Italy, Austria and England responded to the challenges of writing for violin senza basso. Music for violin senza basso had a distinguished history before Bach and was widely cultivated by his contemporaries. Violinistic virtuosity was extraordinarily experimental in the late seventeenth century, with novelties in the tuning of the strings (scordaura), bowing techniques, chordal playing and contrapuntal textures (with the development of sophisticated double-, triple- and quadruple-stopping techniques) and playing in high positions. This disc of solo violin music is a real mixture of some of Rachel’s favourite pieces.