German band Cromwell was formed back in 1994, and released their debut album "Burning Banners" in 1997 through the German label Angular Records. Line-up alterations and other issues then saw to it that the band activities stopped up for quite some time, but a second album has been in the works for many years now. Their sophomore creation "Black Chapter Red" eventually appeared in the summer of 2016, issued through Progressive Promotion Records. Those who are fond of the harder-edged variety of neo-progressive rock that some bands started to explore in the '90s should feel right at home with this sophomore production by Cromwell…
"Serious collectors and devoted Sheppherds only…" By 1985 Archie Shepp's tone on tenor had declined quite a bit from just a few years earlier. This should have been a strong set for the sidemen (trumpeter Enrico Rava, keyboardist Siegfried Kessler, bassist Wilbur Little and drummer Clifford Jarvis) are excellent and the repertoire is both diverse and challenging. However Shepp fouls up "Naima" by playing his out-of-tune soprano, talks and sings on the 18-minute "Little Red Moon" more than he plays tenor and his sax sounds quite sloppy on "Whisper Not" and "Sweet Georgia Brown." Despite some good moments from the supporting cast, this is one to skip.
Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released on September 24, 1991. Produced by Rick Rubin, it was the band's first record released on Warner Bros. Records. The musical styles of Blood Sugar Sex Magik differed notably from the techniques employed on the Chili Peppers' preceding album, Mother's Milk, and featured little use of heavy metal guitar riffs. The album's subject matter incorporated sexual innuendos and references to drugs and death as well as themes of lust and exuberance. Blood Sugar Sex Magik also ranked number 310 on Rolling Stone's the "500 Greatest Albums of All Time" and number 14 on the "100 Best Albums of the Nineties".
René Marie's sensational 'Sound of Red' finds the singer at the top of her game, breaking new ground with her first album of entirely self-penned originals. After landing a Best Jazz Vocal Album GRAMMY nomination with her last release, Marie shoots for the stars again with 'Sound of Red', as she writes a new chapter in jazz in her patented ultra-sexy, wise, provocative and daredevil style. Her brilliance as a writer who draws equally on jazz, folk, R&B and country proves an easy match for her brilliance as a performer.