Scott La Faro

Peter Dale Scott, "La Route vers le Nouveau Désordre Mondial: 50 ans d’ambitions secrètes des États-Unis"

Peter Dale Scott, "La Route vers le Nouveau Désordre Mondial: 50 ans d’ambitions secrètes des États-Unis"
Publisher: Demi-Lune | 2010 | ISBN: 2917112166 | French | PDF | 512 pages | 191.25 Mb

Depuis les années 1960, les choix en matière de politique étrangère états-unienne ont conduit à la mise en uvre d'activités criminelles, et à leur dissimulation, tantôt partielle parfois totale. Dans ses précédents essais, Peter Dale SCOTT a témoigné de l'implication de la CIA dans de graves exactions, dont différents coups d'État, ou dans la mise en place d'une véritable géopolitique de la drogue et des guerres qu'elle permet de financer. …
Stan Getz - Stan Getz with Cal Tjader (1958 / 1990) [REPOST]

Stan Getz - Stan Getz with Cal Tjader (1958)
EAC RIP | WV+CUE+LOG / 288 MB | Full Covers | MP3 - CBR 320 Kbps / 136 MB
Jazz, Post-Bop, Cool
Original Release Date: 1958 | Remastered Audio CD: 1990 | Label: Fantasy Inc.

In the vein of many a smooth West Coast jazz outing, this 1958 disc finds original cool stylist Getz paired with vibraphonist Cal Tjader on a very enjoyable selection of jazz standards and Tjader originals. The lineup includes pianist Vince Guaraldi, guitarist Eddie Duran, bassist Scott La Faro, and drummer Billy Higgins (this was one of the earliest record dates for either La Faro or Higgins, both of whom were playing with Getz at San Francisco's Black Hawk in between recording sessions). Guaraldi's spry "Ginza Samba" kicks thing off with nimble and imaginative statements by all the soloists. Tjader's swinging originals "Crow's Nest" and "Big Bear" provide prime solo vehicles as well, while his lovely waltz number "Liz-Anne" adds some nice contrast to the set, eliciting one of Getz's best solos in the process. The group rounds things out with fine ballad readings of "I've Grown Accustomed to Her Face" and "For All We Know." A suitable title for both Getz and Tjader fans. Highly recommended.
Leverkusener Jazztage 37: Al Di Meola, Christian Scott Atunde Adjuah, Gregory Porter & ... (2016) [HDTV 720p]

Leverkusener Jazztage 37: Al Di Meola, Christian Scott Atunde Adjuah, Gregory Porter & The Stanley Clarke Band (2016)
4xTS: Mpeg4 AVC, 1280x720, 12500 kbps, 50 fps Progressive
AC3, 448 kbps, 48 kHz, stereo / MP2, 256 kbps, 48 kHz, stereo
Jazz / Blues / Soul / Rock / Fusion | 02:09:00 | ~ 25.17 Gb

~ Al Di Meola, Christian Scott Atunde Adjuah, Gregory Porter & The Stanley Clarke Band Live at Leverkusener Jazztage Festival ~
Christian Rover Group - Live In Concert (Feat. Rhoda Scott) (1998)

Christian Rover Group - Live In Concert (Feat. Rhoda Scott) (1998)
Jazz | MP3 320 kbps CBR | 69 min | 175 MB
Label: Organic (Fenn Music) | Rel:1998

After a long stint in the USA, Christian Rover is making a name for himself on the international music scene. A summa cum laude graduate of Berklee College Of Music in Boston, Massachusetts, Rover captured first prize at DOWNBEAT'S "Music Fest USA" and was awarded the Joe Zawinul Award for outstanding achievements in music synthesis. His own CDs and numerous other recordings demonstrate his unique musical talent, both as a solo artist and a sideman. Rover has toured and given concerts in the USA, Israel, China, Japan and throughout Europe…

Guide pratique de la SAS et de la SASU  eBooks & eLearning

Posted by ALGEROIS at Dec. 5, 2016
Guide pratique de la SAS et de la SASU

Guide pratique de la SAS et de la SASU
Eyrolles | 2016 | ISBN: 2212565895 | French | PDF | 240 pages | 26 MB

La Société par Actions Simplifiée (SAS) est une formule très souple pour développer un projet en solo ou en partenariat, pour filialiser une activité existante ou pour préparer la transmission de son entreprise. La SAS permet ainsi d'attirer les investisseurs pour développer un projet innovant ou d'entreprendre seul grâce à la SAS Unipersonnelle (SASU).
De La Soul - And The Anonymous Nobody (2016) [Official Digital Download 24bit/44.1kHz]

De La Soul - And The Anonymous Nobody (2016)
FLAC tracks 24bit/44.1kHz | Digital Booklet | 716MB + 5% Recovery
Studio Master, Official Digital Download, AOI Records

Almost 30 years after their debut, 3 Feet High and Rising, transformed the possibilities of a rap record, and nearly 12 years since their last LP, De La Soul are still ambitious outliers. Financed by a Kickstarter campaign, constructed over breaks and beats mined from more than 200 hours of jamming by a live band, and stuffed with guest stars (Snoop Dogg, Damon Albarn, Jill Scott), And the Anonymous Nobody sometimes risks losing Posdnuos, Dave and Maseo in their own record. Tracks like the loopy "Snoopies" (with David Byrne) and old-school throwdown "Whoodeeni" (with 2 Chainz) are glorious bug-outs, but the urban cautionary tale "Greyhounds" (echoing Stevie Wonder's "Living for the City," with Usher on the hook) is a reminder that De La are often more powerful when they're less goofy – and that their greatest strength has always been not caring what hip-hop is supposed to sound like.

Marilyn Scott - Take Me With You (1996)  Music

Posted by JET 1 at Nov. 27, 2016
Marilyn Scott - Take Me With You (1996)

Marilyn Scott - Take Me With You (1996)
EAC Rip | FLAC (Image) +CUE, LOG | 305 MB | Covers Included
Genre: Jazz / Soul | Label: Warner Bros. Records | Catalog Number: 9 45906-2

After a number of years paying her dues as a backup singer and recording for a number of indie labels with mixed success, Marilyn Scott finally brings her crisp, romantic vocal stylings to Warner Bros. on Take Me With You, a stylish potpourri of pop, soul, jazz and Brazilian influences tailor made to fit the definition of the finest in Adult Contemporary music. While Scott's powerful yet subtle and smoky voice ties all the loose threads together, the collection's strengths lie in its frolicsome diversity. Scott changes moods depending on the producer du jour. George Duke elicits cool, straightforward pop, while longtime cohorts Russell Ferrante and Jimmy Haslip forge her range from standard to hip-hop influenced jazz. Ironically, the most exciting track, a percolating Brazilian treatment of Stevie Wonder's "Bird of Beauty," is also the least commercial from a corporate marketing standpoint. Without the radio typical sheen, producer Dori Caymmi allows Scott to romp through a loping playground where even elegant Kevyn Lettau-like Portuguese is within the realm. Perhaps the reason it's taken Scott so long to break through on a higher level is the type of stunning diversity typified here. It's been worth the wait.

Marilyn Scott - Avenues Of Love (1998)  Music

Posted by JET 1 at Nov. 27, 2016
Marilyn Scott - Avenues Of Love (1998)

Marilyn Scott - Avenues Of Love (1998)
EAC Rip | FLAC (Tracks) +CUE, LOG | 350 MB | Covers Included
Genre: Jazz | Label: Warner Bros. Records | Catalog Number: 9468592

A top-notch adult contemporary vocalist still awaiting a well-deserved crossover commercial breakthrough, Marilyn Scott adds powerful fuel to her cause on Avenues of Love by helping herself with a well-balanced array of production and songwriting talent. George Duke surrounds her with party voices and a kneejerking Latin groove on a playful list of dance steps on "I Like to Dance," then surrounds her clear, sensuous voice with airy, billowing synth cushioning on the Bacharach-David classic "The Look of Love." Scott and bassist Jimmy Haslip reroute to Memphis on Michael Ruff's Wilson Pickett-like pick me up, "Love Is a Powerful Thing," engaging a two-piece horn section that sounds even larger. The Yellowjacket touch is in full effect on the picturesque "Avenida del Sol," which approximates an update of the gentle Astrud Gilberto sound; the tune was written by Scott and Bob Mintzer, and produced by Scott, Haslip, and Russell Ferrante. Scott's greatest gift here is her sense of modulation; she belts like crazy on the funk pieces, but recognizes the emotional power of restraint on the ballads.
Les Aventures de Scott Leblanc (Tomo 1): Alerta en Fangataufa

Les Aventures de Scott Leblanc (Tomo 1): Alerta en Fangataufa
Casterman | Spanish | CBR | 50 págs. | 51.7 MB
Guióny diálogos: Philippe Geluck; Dibujo: Devig

Se presenta como una parodia humorística de los famosos cómics belgas, “Tintín”, “Blake y Mortimer” o “Spirou”.
Scott Leblanc, es un Tintín un poco pánfilo, muy torpe, y monomaniaco de los animales, que vive con su madre y trabaja como reportero en la revista “Muy evidente”; eso sí, de buen corazón. El que será su compañero de fatigas, es el Profesor Moleskine, un físico notable (mencionado para el Nobel), con un prominente bigote y perilla pelirroja; gran fumador (de cigarrillos) y con un fuerte carácter. Es una mezcla de Tornasol y del capitán Haddock, así como su maestro, el profesor Darmagnac tiene un gran parecido al conde de Champignac, no sólo en el nombre, e incluso su colega el profesor Paul Mortemort, nos recuerda al personaje de Jacobs, Philip Mortimer (que aparece caricaturado en la primera aventura). Al igual que ocurre en infinidad de series, Moleskine, acapara la mayor parte del protagonismo, a pesar de tratarse de las aventuras de Scott Leblanc.
Gil Scott-Heron And His Amnesia Express - Tales Of Gil Scott-Heron (1990) 2CD [Re-Up]

Gil Scott-Heron And His Amnesia Express - Tales Of Gil Scott-Heron (1990) 2CD
EAC | FLAC | Tracks (Cue&Log) ~ 735 Mb (incl 5%) | Mp3 (CBR320) ~ 310 Mb (incl 5%) | Scans included
Jazz Funk, Soul Jazz, Poetry, Spoken Word | Label: Peak-Top/Castle/Essential | # ESDCD 021 | 01:54:37

Gilbert "Gil" Scott-Heron was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken word performer in the 1970s and '80s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues." His music, most notably on Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul.