The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.
This double-disc set is cross-licensed to include key tracks from 40 years of recording! Includes Night Life; Hello Walls; Me and Paul; Bloody Mary Morning; Funny How Time Slips Away; Blue Eyes Crying in the Rain; On the Road Again; If You've Got the Money I've Got the Time; Georgia on My Mind; My Heroes Have Always Been Cowboys; Always on My Mind; Pancho and Lefty; Highwayman, and more. 41 tracks!
There are almost more Petula Clark collections than there were actual songs (that's saying something), and Sanctuary's three-disc Songs of My Life: The Essential Petula Clark is one of the better ones. Split into three themes, "Swinging Times," "Mellow Moods," and "Beautiful Sounds," Songs of My Life relies heavily on the English pop sensation's peak '60s and '70s output. All of the key radio hits are here ("Downtown," "I Know a Place," "My Love," "This Is My Song"), as well as countless ballads, uptempo pop gems, and choice covers. Fans looking for a decent career overview (sadly, none of Clark's vast arsenal of French hits are here) may find the 78 tracks that populate Songs of My Life a bit overwhelming, but they're well worth spending some quality time alone with.
Singer, songwriter, and guitar virtuoso Jimmy Thackery has carved an enviable niche for himself in the world of electric blues. Known for his gritty, blue-collar approach and marathon live shows, Thackery was for many years part of the Nighthawks, one of the hardest-working blues bar bands in North America. Included here are tracks from 1992 through 2000 and special guests Duke Robillard, Lonnie Brooks, and Reba Russell.
Columbia has managed to squeeze an impressive, perhaps excessive, number of compilations out of Janis Joplin's relatively slim body of recordings. With this two-CD set, The Essential Janis Joplin, the label's at it again, though it's a good one to get if you don't want to collect all the Joplin releases, and certainly don't want to get the expensive Joplin boxes, but want more than what fits onto a single disc. Including both solo recordings and highlights of her stint with Big Brother & the Holding Company, it has all the songs fans and critics would consider milestones in her career: "Ball and Chain" (a version recorded live in 1967 at the Monterey Pop Festival, not the more familiar one from Cheap Thrills), "Piece of My Heart," "Down on Me," "Summertime," "Try (Just a Little Bit Harder)," "Tell Mama" (the live 1970 performance from the expanded edition of Pearl), "Get It While You Can," "Mercedes Benz," and "Me and Bobby McGee." And there are also good tracks that aren't as overly familiar, like "Coo Coo," "Misery'n," "Maybe," "Work Me, Lord," and "A Woman Left Lonely."
2016 three CD collection. 10cc's witty and satiric brand of tongue-in-cheek art pop sustained their reputation for being poignant songwriters for the entirety of their existence. They have notched up over 15 million album sales in the UK and frontman Graham Gouldman has been the recipient of three Ivor Novello Awards for achievements in songwriting. This collection features two #1 hits and a selection of prime cuts taken from across a very strong back catalog and features rare live versions of some of the band's most well-known tracks.
The 1989 release The Best of Luther Vandross captures Vandross at the peak of his powers, chronicling the '80s, when he reigned as the premier soul crooner of his time. That remains the definitive portrait of Vandross at his creative pinnacle, but 2003's The Essential Luther Vandross extends its reach much further, stopping when Vandross left Epic in 1996. So, it becomes a summary of his time at the label, and it's a thorough one; it may not be sequenced chronologically, but it hits all the big songs.