The Sheltering Sky is the original soundtrack to the 1990 film The Sheltering Sky (based on a novel by Paul Bowles) starring Debra Winger and John Malkovich. The original score was composed mainly by Ryuichi Sakamoto. The album won the Golden Globe Award for Best Original Score and the LAFCA Award for Best Music.
America's favorite serial killer, Dexter, is back with a vengeance in the exciting Season 7, making it one of the most successful TV show in recent history. The soundtrack to the Season 7 of Dexter features a great selection of Latin tracks by the likes of The Spanish Harlem Orchestra, Patato, Latin Soul Syndicate, Kluba and Joao Gilberto, and of course the best score cues by series composer, Dan Licht and the Dexter Main Title Theme by Rolfe Kent.
Jim Steinman (the melodramatic writer behind Meat Loaf's Bat out of Hell) is the author of many of the tracks here, and they have his typical rock & roll Sturm und Drang, especially when the backup group consists of members of Bruce Springsteen's E Street Band. Also on hand are The Blasters, Maria McKee, and Ry Cooder. The album's hit single turned out to be Dan Hartman's "I Can Dream about You."
Call it a soundtrack producer's dream. One of the most vital and influential bands in modern-day music cuts a song entitled "If God Will Send His Angels" just months before you are hired to put together a soundtrack for a movie entitled City of Angels. The band is U2, and their song not only opens the City of Angels soundtrack, but it is also the anchor of a group of tracks that narrowly escapes the sappy trail that the movie blazed when it hit theaters. In all actuality, the soundtrack sounds much too dark, menacing, and legitimate to be attached to the film. Alanis Morissette assures the direction of the album when she follows U2's less-than-perky offering with "Uninvited," which is nothing if not vintage Alanis. From there on the quality drops off somewhat, but not until after Jimi Hendrix comes in with "Red House." It's still amazing to this day how the sounds of Hendrix on the guitar could be so many things all at the same time – soothing, moving, eerie, and untouchable.