Phantom Navigator is the seventeenth album by jazz saxophonist Wayne Shorter, that was released on Columbia in 1987.
Beyond category or idiom, audacious in its very idea, Herbie Hancock and Wayne Shorter perform a little over an hour of spontaneous improvised duets for grand piano and soprano sax. That's all no synthesizers, no rhythm sections, just wistful, introspective, elevated musings between two erudite old friends that must have made the accountants at PolyGram reach for their Mylanta. Hancock's piano is long on complex harmonies of the most cerebral sort, occasionally breaking out into a few agitated passages of dissonance. His technique in great shape, Shorter responds with long-limbed melodies, darting responses to Hancock's lashings, and occasional painful outcries of emotion.
Give him points for persistence: Alice Cooper just won't quit. He's seen it all from the bottom to the top – and done the trip more than once – but still continues on his merry-morbid way, punching out albums like a spry young'un. The first thing one has to say about The Eyes of Alice Cooper is thank Jehovah and all his witnesses that the Mascara'd One has grown out of his metal/industrial phase. That look just never took. Discs like Brutal Planet (2000) and the somewhat better Dragontown (2001) offered little to his legacy or his legion of fans – aside from nascent headbangers discovering the Coop for the first time. Eyes harks back to Alice's overly maligned early-'80s discs Special Forces and Flush the Fashion – albums that suffered by comparison with his landmark '70s releases but remain far more musically appealing than the aforementioned new-millennium fare.
Jeff Wayne's Musical Version of The War of the Worlds is the debut studio album by Jeff Wayne, retelling the story of The War of the Worlds by H. G. Wells, released September 6, 1978. A concept album, its main format is progressive rock and string orchestra, using narration and leitmotifs to carry the story via rhyming melodic lyrics that express the feelings of the various characters. The two-disc album remains a bestseller, having sold millions of records around the world, and by 2009 it was the 40th best selling album of all time in the UK with sales of 2,561,286. It has since spawned multiple versions of the album, video games, DVDs, and live tours.
Mid-'80s release that established Horovitz among the prime composers and players on the contemporary improvising scene. He's not among either the traditionalists or the fusion/light jazz crowd, but is part of the New York "downtown" school that utilizes everything from hard bop to rock to contemporary classical. Guitarist Bill Frisell was also an important contributor to the date.
Originally released in 1964 and 1965 on the Fontana label. Included among the ranks of The Mindbenders were future 10cc members Eric Stewart (at the time of these recordings) on guitar and vocals, and later (1968) Graham Gouldman on bass. For straightforward solid meat'n'potatoes British Beat, one need look no further than Wayne Fontana & The Mindbenders. What they lacked in originality they more than made up for in good old-fashioned exuberance and panache.
Produced by long-term collaborator Hal Willner, Marianne Faithfull's 19th studio album, Horses and High Heels, sees the '60s icon revisit eight classic songs from her heyday on her second consecutive covers-heavy album, following 2009's Easy Come Easy Go…
Few stars of the '60s reinvented themselves as successfully as Marianne Faithfull. Coaxed into a singing career by Rolling Stones manager Andrew Loog Oldham in 1964, she had a big hit in both Britain and the U.S. with her debut single, the Jagger/Richards composition "As Tears Go By" (which prefaced the Stones' own version by a full year)…