Alan Sorrenti

Alan Sorrenti - 2 Studio Albums (1972-1974) [Reissue 2005]  Music

Posted by gribovar at Nov. 4, 2016
Alan Sorrenti - 2 Studio Albums (1972-1974) [Reissue 2005]

Alan Sorrenti - 2 Studio Albums (1972-1974) [Reissue 2005]
EAC Rip | FLAC (image+.cue+log) - 503 MB | MP3 CBR 320 kbps (LAME 3.93) - 183 MB | Covers - 31 MB
Genre: Progressive Rock | RAR 3% Rec. | Label: EMI

Alan Sorrenti (born December 9, 1950) is an Italian singer and composer. Actually, he started as an experimental progressive rock performer, releasing two great albums called "Aria" (1972) and "Come un vecchio incensiere all'alba di un villaggio deserto" (1973), where he showed extraordinary vocal abilities. His third, self-titled album (1974) is usually considered the least convincing of Alan's early production, despite some very good tracks, his style slowly shifting toward more a more mainstream song format. For progressive fans, checking "Aria" out is recommended, expecially the long, wandering progressive suite title track, which lasts for about 20 minutes.
Alan Sorrenti ‎– Come Un Vecchio Incensiere All'Alba Di Un Villaggio Deserto (1974) [Remastered 2005]

Alan Sorrenti ‎– Come Un Vecchio Incensiere All'Alba Di Un Villaggio Deserto (1974) [Remastered 2005]
EAC Rip | FLAC (tracks & cue & log) | 268 MB | MP3 CBR 320 kbps | 105 MB | Scans (JPG) | 36 MB | 46:13
Genre: Progressive Rock / Acoustic / Experimental | Country: Italy | Label: EMI | 7243 8 60270 2 3

A very important artist from Naples, ALAN SORRENTI released his first album in 1972 on Harvest. He had a Welsh mother and had lived in Wales as a child. "Aria" is a very good album, with two different sides: the first only contains the long title track, a dreamy suite starting with acoustic guitar and based on the marvellous, instrument-like voice of Sorrenti, and culminating in the final part with a memorable violin solo by Jean-Luc Ponty. Side 2 is softer, with three tracks, two of which ("Vorrei incontrarti") also appeared as a single. The album was successful in Italy, and Alan Sorrenti was one of the few solo artists to compete with other prog groups in the open air festivals of the time. The album was also released abroad, but to little success.
Eric Woolfson - Eric Woolfson sings The Alan Parsons Project That Never Was (2009) (Repost)

Eric Woolfson - Eric Woolfson sings The Alan Parsons Project That Never Was (2009)
EAC Rip | FLAC (image+.cue+log) - 258 MB | MP3 CBR 320 kbps (LAME 3.93) - 101 MB | Covers - 476 MB
Genre: Progressive Rock, Pop Rock | RAR 3% Rec. | Label: Limelight Records (LREC 0590)

Eric Woolfson sings The Alan Parsons Project That Never Was is an album by the progressive rock musician Eric Woolfson, co-creator with Alan Parsons of The Alan Parsons Project, as well as main songwriter and manager of the band. Released in 2009, this was Woolfson's final album before he died of cancer in December of that year. The album includes songs that remained unreleased since the Project time for various reasons; however, as Woolfson himself remarks in the booklet, Parsons' dislike for some of Woolfson's compositions would have often caused them to be excluded from a Project album in its very early stages - such as, for example, "Steal Your Heart Away", an "unashamedly commercial" song with a conventionally sentimental lyric, which Parsons, in Woolfson's words, would have absolutely detested…
Denis Matsuev, New York Philharmonic, Alan Gilbert - Rachmaninoff: Piano Concerto No. 2 / Gershwin: Rhapsody in Blue (2013)

Denis Matsuev, New York Philharmonic, Alan Gilbert - Rachmaninoff: Piano Concerto No. 2 / Gershwin: Rhapsody in Blue (2013)
EAC | FLAC (image+.cue, log) | Covers Included | 49:01 | 190 MB
Genre: Classical | Label: RCA Red Seal | Catalog: 88765492602

Russian pianist Denis Matsuev has established himself as one of the most dynamic and virtuosic performers of his generation, and his program on this RCA album with Alan Gilbert and the New York Philharmonic is ideally suited to his extraordinary abilities. The pairing of Sergey Rachmaninov's Piano Concerto No. 2 in C minor and George Gershwin's Rhapsody in Blue is a natural one, particularly because of the works' shared post-romanticism (note Rachmaninov's influence on Gershwin's slow theme in the Rhapsody), as well as for the dazzling writing for the piano in both works. Of course, the challenge for Matsuev is to make his part appear effortless, and he succeeds so well in both performances that listeners may be a bit blasé about his playing, taking it in without really considering what knuckle-busters these pieces really are.

Alan Parsons - The Time Machine (1999)  Music

Posted by v3122 at Nov. 14, 2016
Alan Parsons - The Time Machine (1999)

Alan Parsons - The Time Machine (1999)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Arcade, ARTFUL CD 28 | ~ 350 or 132 Mb | Scans(jpg) -> 74 Mb
Progressive Rock / Synth-pop | Bonus Track

The Time Machine by Alan Parsons actually features very little musical input from Parsons himself, who produced and engineered the album. No matter, because this concept album about the passage of time – and the triumphs, mistakes, regrets, and memories associated with it – is Parsons' best work of the '90s…

Alan Parsons Project - Eye In The Sky (1982)  Music

Posted by v3122 at Nov. 13, 2016
Alan Parsons Project - Eye In The Sky (1982)

Alan Parsons Project - Eye In The Sky (1982)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Arista, 258 718 | West Germany | ~ 238 or 100 Mb | Scans(jpg) -> 42 Mb
Progressive Rock

Eye in the Sky provided the Alan Parsons Project with their first Top Ten hit since 1977's I Robot, and it's hard not to feel that crossover success was one of the driving forces behind this album…
John Carpenter and Alan Howarth - Halloween II: Expanded Original Motion Picture Soundtrack (1981) 30th Anniversary [Re-Up]

John Carpenter and Alan Howarth - Halloween II: Expanded Original Motion Picture Soundtrack (1981)
30th Anniversary Limited Edition

EAC | FLAC | Tracks (Cue&Log) ~ 502 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans included
Genre: Soundtrack, Score | Label: AHI Records | # AHICD 005 | Time: 01:10:27

The soundtrack features music composed & performed by John Carpenter (HALLOWEEN, ESCAPE FROM NEW YORK) in association with Alan Howarth (THE LOST EMPIRE, HEADLESS) for the 1981 cult horror sequel directed by Rick Rosenthal, written by John Carpenter and Debra Hill, starring Jamie Lee Curtis, Donald Pleasance, Lance Guest, Nancy Stephens, Pamela Shoop, Tawny Moyer, Leo Rossi and legendary stuntman Dick Warlock as The Shape. The film's score is a variation of John Carpenter s compositions for the first HALLOWEEN, particularly the main theme's familiar piano melody played in a 5/4 time rhythm. This time, the score was performed on synthesizer organs rather than on piano. For this special 30th Anniversary Edition of HALLOWEEN II, the original 1981 album presentation is included, newly remastered. In addition, a special suite of seven tracks has been prepared, consisting of the entire film score sequenced in chronological order and including previously unreleased music. In addition, Alan Howarth has contributed exclusive notes for the booklet.
The Alan Parsons Project - Ammonia Avenue (1984) [Expanded Edition, Japan SHM-CD, 2008] Repost

The Alan Parsons Project - Ammonia Avenue (1984) [Expanded Edition, Japan SHM-CD, 2008]
EAC Rip | FLAC: Image+Cue+Log | 413 Mb | MP3 CBR 320 kbps | 172 Mb | Scans | 151 Mb | Time: 01:04:01
Arista/BMG Japan, Inc. | BVCM-34459
Progressive Rock, Art Rock

Ammonia Avenue is the seventh studio album by the British progressive rock band The Alan Parsons Project, released on 7 February 1984 by Arista Records. The Phil Spector-influenced "Don't Answer Me" was the album's lead single, and reached the Top 15 on the US Billboard Hot 100 and Mainstream Rock Tracks charts, as well as the fourth position on the Adult Contemporary chart. The single also reached the Top 20 in several countries and represents the last big hit for the Alan Parsons Project. "Prime Time" was a follow-up release that fared well in the top 40. "Since The Last Goodbye" was a minor hit.
Alarm Will Sound & Ossia, Alan Pierson - Steve Reich: Tehillim, The Desert Music (2002)

Alarm Will Sound & Ossia, Alan Pierson - Steve Reich: Tehillim, The Desert Music (2002)
EAC | FLAC | Tracks (Cue&Log) ~ 438 Mb (incl 5%) | Mp3 (CBR320) ~ 206 Mb (incl 5%) | Scans included
Genre: Contemporary, Minimalism, Vocal | Label: Cantaloupe Music | # CA21009 | Time: 01:14:44

Alarm Will Sound's recording of Steve Reich's monumental orchestral/choral works The Desert Music and Tehillim, released on the Cantaloupe label in 2002, greatly benefits from the group's close connections with the composer: the ensemble's conductor, Alan Pierson, and several of the performers studied at the Eastman School with Brad Lubman, a conductor frequently enlisted by Reich. Also, Pierson's arrangements, which reconcile the chamber and orchestral versions that exist for both works, were prepared in close consultation with the composer; thus, this may well be the definitive recording of these pieces. Brilliantly sonorous in their climaxes – the burst of light near the end of Desert Music, the "Alleluias" that close Tehillim – the players also articulate Reich's intricate canonic textures with nimble precision. Voices and strings are always an Achilles heel within Reich's percussive textures (leading him to eliminate part doublings in favor of giving each line to a lone, amplified performer), but here the singers and strings maintain an impressive rhythmic vitality.

Alan Bown - Listen (1970) [2010 Reissue]  Music

Posted by JET 1 at Sept. 17, 2016
Alan Bown - Listen (1970) [2010 Reissue]

Alan Bown - Listen (1970) [2010 Reissue]
EAC Rip | FLAC (Tracks) +CUE, LOG | 220 MB | Covers Included
Genre: Prog Rock | Label: Esoteric | Catalog Number: ECLEC2193

With Jess Roden on vocals and a couple of Toytown psych excursions, in ‘Mr. Job’ and ‘Toyland’, under the belt they released Outward Bown and a self-titled album before Roden quit. The vocals for the latter were re-recorded by the late Robert Palmer, he of ‘Addicted to Love’ success, who went on to pull exactly the same stroke as Roden for the next album, quitting the band just prior to its release. Gordon Neville was recruited to overdub Palmer’s vocals and, now simply calling themselves Alan Bown, 1970′s Listen was the result.