Although from different generations and styles, the three works on this disc are a good sample of Madrid’s avant-garde and musical concerns of the last thirty years, preoccupations and creative concepts which, from the traditional and classical reminiscences of Tomás Marco’s Concierto para violonchelo y orquesta (1974-1976), culminate and come to fullness in the perfect and meticulous language of Olavide’s Tránsito (1992) and Adagio con variaciones (sobre un Adagio de Hugo Wolf) by Alfredo Aracil (1997).
Hi fellows. This cd is a good introduction to Spanish composers, specially those ones who come from Madrid. Enjoy!!
Olavide studied composition initially with Victorino Echevarría at the Conservatorio Superior de Madrid, then in Belgium at the conservatories of Antwerp and Brussels. He attended the Darmstadt Internationale Ferienkurse für Neue Musik where he worked with Pierre Boulez and Luciano Berio, and later studied with Karlheinz Stockhausen and Henri Pousseur at the Second, Third, and Fourth Cologne Courses for New Music in 1964–65, 1965–66, and 1966–67. For twenty years he lived and worked in Geneva, returning to Spain in 1991. Olavide composed orchestral, chamber, solo, and electronic music. In 1986 he received the Premio Nacional de Música, and in 2001 the Premio Reina Sofia.