Blue Note Record

Jimmy McGriff - Black Pearl (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81098}

Jimmy McGriff - Black Pearl (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81098}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (png) -> 309 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81098
Jazz / Soul Jazz / Jazz Funk / Hard Bop / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the most hard-hitting Jimmy McGriff albums of the 70s – a raw live date recorded in Newark – and a set that's a perfect bridge between the sharp soul of his Sue Records sessions and his later funk to come! The whole thing's got a gritty vibe the really recalls the sound of a Hammond combo in a small club back in the day – a sense of recording that's different than the usual Blue Note record, and we mean that in a good way! Future Groove Merchants Fats Theus and O'Donel Levy are both on the record – the former on tenor, the latter on guitar – and Jimmy gets plenty of room to really open up and soar on the Hammond. The group also features the lesser-known Ronald White on trumpet and Joseph Morris on alto – and titles include "In A Mellow Tone", "Groove Alley" and "Man From Bad" – and a nice cover of "Ode to Billie Joe"!
Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}

Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 368 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24bit 192kHz remaster
© 1963, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81011
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}

Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 308 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24bit 192 kHz remaster
© 1966, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5023
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).
Jack Wilson - Song For My Daughter (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81089}

Jack Wilson - Song For My Daughter (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81089}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 282 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (png) -> 251 Mb | 5% repair rar | 24bit 192kHz remaster
© 1968, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81089
Jazz / Cool / Post Bop / Piano

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. On Song for My Daughter, his third record for Blue Note, Jack Wilson "changed with the times," to paraphrase one of the record's songs. Like many of his peers on the label, Wilson pursued a pop direction as the '60s drew to a close, which meant he covered pop hits like "Scarborough Fair/Canticle" and "Stormy," and that he recorded the album with a large band augmented by a string section. It is a testament to Wilson's strengths as a pianist that he doesn't get lost in this heavy-handed setting and manages to contribute some typically graceful moments, including the lovely title song.
John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}

John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 516 Mb | MP3 @320 -> 159 Mb
Full Artwork @ 600 dpi (png) -> 262 Mb | 5% repair rar | 24-bit remaster
© 2014 Universal Japan / Blue Note / Capitol | BN 75th The Masterworks | TYCJ-81001
Jazz / Hard Bop / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blue Train" for the first time in the world. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry – touching upon all forms in between.
The Three Sounds - Good Deal (1959) {2010 Japan Blue Note Best & More 1100 Series 24bit remaster TOCJ-8712}

The Three Sounds - Good Deal (1959) {2010 Japan Blue Note Best & More 1100 Series 24bit remaster TOCJ-8712}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 254 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1959, 2010 Blue Note / EMI Music Japan | TOCJ-8712 | 24bit remaster
Jazz / Post Bebop / Soul Jazz / Hard Bop / Piano Trio

Good Deal is a typically fine record from the Three Sounds, who were beginning to hit their stride when this session was recorded in May of 1959. Like most of their records, it's laidback – even when the group works a swinging tempo, there's a sense of ease that keeps the mood friendly, relaxed and mellow. Balancing standards like "Satin Doll," "Soft Winds" and "That's All" with bop ("Robbin's Nest"), calypso ("St. Thomas") and originals, the Three Sounds cover a lot of stylistic territory, putting their distinctive stamp on each song. It's very accessible, pleasant soul-jazz and mainstream hard bop, but Gene Harris' masterful technique means that Good Deal rewards close listening as well.
"Big" John Patton - Got A Good Thing Goin' (1966) {Blue Note Japan TOCJ-4229 rel 1997}

"Big" John Patton - Got A Good Thing Goin' (1966) {Blue Note Japan TOCJ-4229 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 239 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 300 dpi (jpg) -> 32 Mb | 5% repair rar
© 1966, 1997 Blue Note / Toshiba-EMI | TOCJ-4229 | 20bit/88kHz mastering
Jazz / Soul Jazz / Hard Bop / Jazz Blues / Hammond Organ

Grant Green always brought out the best in Big John Patton. Almost any record that featured the guitarist and organist was dominated by their scintillating interplay, and it always sounded like they were trying to top each other's blistering, funky solos. Patton and Green rarely sounded better than they did on Got a Good Thing Goin', a 1966 session that functioned as a showcase for the pair's dynamic interaction and exciting, invigorating solos. In particular, the duo's mastery is evident because there are no horns to stand in the way – only drummer Hugh Walker and conga player Richard Landrum provide support, leaving plenty of room for Green and Patton to run wild.

VA - Blue Note Revisited (2004)  Music

Posted by TestTickles at Sept. 11, 2016
VA - Blue Note Revisited (2004)

VA - Blue Note Revisited (2004)
EAC Rip | FLAC with CUE and log | scans | 459 mb
MP3 CBR 320kbps | RAR | 177 mb
Genre: jazz, jazz funk, electronic, hip-hop

Blue Note Revisited is a 2004 remix CD honoring Blue Note Records. Released on 20 April, 2004, each track was recreated by well known hip-hop and electronic music producers, including Dilla, Kyoto Jazz Massive, DJ Spinna, Madlib, Jazzanova, Kenny Dope, and many more.