Brautigam Haydn

Ronald Brautigam - Haydn - Complete Music For Solo Keyboard: Box Set 15CDs (2008)

Ronald Brautigam - Haydn - Complete Music For Solo Keyboard: Box Set 15CDs (2008)
Classical | MP3 CBR 320 kbps | 2,36 Gb | Covers 23 Mb
Label: BIS Records | Release Year: 2008

Listeners seeking a single box of all Haydn's solo keyboard music performed on a fortepiano and recorded in digital sound need look no further. Pianist Ronald Brautigam's 15-disc set for BIS contains everything the great Austrian classical composer wrote for the instrument: the 63 piano sonatas and the 25 miscellaneous works, plus The Seven Last Words of our Savior on the Cross in a keyboard arrangement authorized by the composer.
Ronald Brautigam - Mendelssohn: Lieder ohne Worte, Books 1-4 (2012) [TR24][OF]

Ronald Brautigam - Mendelssohn: Lieder ohne Worte, Books 1-4
Classical | FLAC (tracks) 24-bit/96 kHz | 69:06 min | 1.04 GB | Digital booklet
Label: BIS | Tracks: 29 | Rls.date: 2012

If claims could be made for a certain composer to have invented a genre single-handedly, Felix Mendelssohn would be a strong candidate with his ‘Songs without Words’. The term itself can be traced back to 1828, and a letter in which Fanny Mendelssohn mention having received a ‘song without words’ as a birthday present from her brother.
Wolfgang Amadeus Mozart - Haydn Sinfonietta Wien - Concertos for 2 & 3 Pianos (2007) {Hybrid-SACD // ISO & HiRes FLAC}

Wolfgang Amadeus Mozart - Concertos for 2 & 3 Pianos
Haydn Sinfonietta Wien / Ronald Brautigam, Alexei Lubimov & Manfred Huss
SACD ISO (2.0/MCH): 3,13 GB | 24B/88,2kHz Stereo FLAC: 1,04 GB | Full Artwork
Label/Cat#: BIS # BIS-SACD-1618 | Country/Year: Sweden 2007 | 5% Recovery Info
Genre: Classical | Style: Viennese School

"…In short, this CD is a delight from begin to end. It will make you want to see and hear the two pieces performed live because only then can one fully enjoy the virtuosic playfulness and beauty of the musical interchange between the two pianos in the Concerto in E flat major; not to mention the pure divertimento of the Concerto in F major, which is a recreational, uplifting and entertaining." ~musicweb-international
W.A. Mozart - Ronald Brautigam - Piano Concertos Nos. 19 & 23 (2013) {Hybrid-SACD // ISO & HiRes FLAC}

Wolfgang Amadeus Mozart - Piano Concertos Nos. 19 & 23
Ronald Brautigam / Die Kölner Akademie / Michael Alexander Willens
SACD ISO (2.0/MCH): 2,30 GB | 24B/88,2kHz Stereo FLAC: 806 MB | Full Artwork | 5% Recovery Info
Label/Cat#: BIS # BIS-1964 SACD | Country/Year: Sweden 2013, 2012
Genre: Classical | Style: Viennese School, Piano

"…In the hands of Willems and Brautigam, this masterpiece is given a first class performance, particularly in its buoyant Finale, a sonata-rondo in which the piano and orchestra really are cavorting joyfully together. The two concertos on this disc's menu may well offer the best performances of the series so far, yielding first class solo and orchestral playing as well as the best recording of any period Mozart concerto series at this time." ~sa-cd.net

Ronald Brautigam - Kraus: Solo Piano Music (2006)  Music

Posted by peotuvave at April 8, 2015
Ronald Brautigam - Kraus: Solo Piano Music (2006)

Ronald Brautigam - Kraus: Solo Piano Music (2006)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 291 MB
Genre: Classical | Label: Bis | Catalog Number: 1319

Joseph Martin Kraus, the German-born Swedish composer who was an almost exact contemporary of Mozart, is primarily known as a late classical symphonist of extraordinary importance, and heretofore this is where recording of his output has been concentrated. On Bis' Joseph Martin Kraus: The Complete Piano Music, pianist Ronald Brautigam comes to terms with the slim amount of keyboard music that belongs to Kraus, a cycle previously addressed on Naxos by pianist Jacques Després on a modern instrument. On the Bis, Brautigam uses a reproduced Walther & Sohn fortepiano built by Paul McNulty, an 1802 instrument that has a sound almost indistinguishable from that of a modern piano, except for its more limited range and shorter decay time. This seems to suit Kraus' keyboard music, which is rich in ideas but spindly in texture, a bit better than a modern instrument. Likewise, Després interpretations of Kraus' music sound read through at times and betray a sense of less than complete familiarity. This is not a challenge for Brautigam, who clearly knows, and loves, these willful and eccentric pieces of Kraus.

Haydn - Complete Keyboard Sonatas  Music

Posted by Bibixy at June 20, 2011
Haydn - Complete Keyboard Sonatas

Haydn - Complete Keyboard Sonatas (McCabe-Schornsheim-Brautigam)
Naxos-BIS-Decca | 1997/2005/08 | 12+14+15 CD | MP3 192 Kbps
Lame encoded | Covers | Tracks | RAR | 3.85Gb | Fileserve, Filesonic

Christine Schornsheim plays a copy of a generic 18th century French instrument, an original Kirckman of 1777, a copy of a late 18th century clavichord, a Viennese-type Dulcken fortepiano of 1793, a Broadwood grand pianoforte of 1804.
John McCabe enormous pianistic talent has allowed him to record the entirety of the Haydn sonatas with great acclaim.
Ronald Brautigam plays on fortepiano, a Paul McNulty 1992 replica of an A. G. Walter 1795 original instrument.
Dennis Russell Davies, Stuttgarter Kammerorchester - Haydn: The Complete Symphonies (37CDs, 2009)

Dennis Russell Davies, Stuttgarter Kammerorchester - Haydn: The Complete Symphonies (37CDs, 2009)
Classical | MP3 CBR 320 kbps | 5.36 GB | Covers - 5.67 MB
Label: Sony Classical | Release Year: 2009

This 37-disc box set is the only brand new and fully digital recording of the complete symphonies of Haydn. Performed by the Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) and conducted by Dennis Russell Davies, the recordings were done live in connection with concerts of the whole cycle. The series received fantastic reviews by the press, and The Stuttgart Chamber Orchestra was awarded the European Chamber Music Prize in 2008. Available at a fantastic price, the set is released to tie in with the 200th anniversary of the composer’s death in 2009.
Joseph Haydn - Haydn Concertos - Maxim Emelyanychev / Riccardo Minasi / Il Pomo d'Oro (2016) {2CD Erato-Warner Classics}

Joseph Haydn - Haydn Concertos - Maxim Emelyanychev / Riccardo Minasi / Il Pomo d'Oro (2016) {2CD Erato-Warner Classics}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 728 Mb | MP3 @320 -> 296 Mb
Full Artwork @ 300 dpi (png) -> 68 Mb | 5% repair rar
© 2016 Erato / Warner Classics | 0825646052042
Classical / Viennese School / Concerto

Co-chief conductors Riccardo Minasi and Maxim Emelyanychev take turns on the podium leading this period-instrument band in a rousing collection of concertos by Haydn. Il Pomo d'Oro has been hailed "a wonderful ensemble, and Minasi an outstanding musician" capable of "bringing the house down with his virtuosity" (The Guardian). Emelyaychev's award-winning harpsichord joins Minasi's violin in the soloists' spotlight, along with the distinguished natural horn of Johannes Hinterholzer. The concertos are complemented by Haydn's Symphony No 83 (known as The Hen, because of the ‘clucking’ figures on the strings in its second movement) and his Keyboard Fantasia Hob.XVII:4.
Steven Isserlis,  Roger Norrington - Joseph Haydn: Cello Concertos in C & D; Sinfonia Concertante (1998)

Joseph Haydn - Cello Concertos in C & D; Sinfonia Concertante (1998)
Steven Isserlis, cello; The Chamber Orchestra of Europe; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: RCA Red Seal | # 09026 68578 2 | Time: 01:15:22

What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.
Cecilia Bartoli, Andras Schiff ‎- Italian Songs: Beethoven, Mozart, Schubert, Haydn (1993)

Cecilia Bartoli, András Schiff ‎- Italian Songs: Beethoven, Mozart, Schubert, Haydn (1993)
EAC | FLAC | Image (Cue&Log) ~ 266 Mb (incl 5%) | Mp3 (CBR320) ~ 180 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Decca | # 440 297-2 | Time: 01:07:59

This was to be the end of the line for Italian word-setting by Viennese composers: once the confident sentiments that belonged to the poet Metastasio's opera seria felt the chill and threatening wind of Enlightenment and Revolution, their time was up. Even we, for the most part, prefer to remember the German-speaking Beethoven, Schubert and Haydn. So it is good to be reminded of their responses to the Italian muse (usually as part of their craft-learning student work) in this particularly well-cast recital. Central Europe, in the person of Andras Schiff meets Italy, in Cecilia Bartoli, to delightful, often revelatory effect.