A Christmas Cornucopia is the fifth studio album by the Scottish singer-songwriter Annie Lennox, released in November 2010. It was Lennox's first album after signing to the Universal Music Group following her departure from Sony BMG, which had been her label for almost 30 years. It was also her second cover album (after 1995's Medusa) and her first of holiday music. Lennox was also born on Christmas Day. The album is a collection of Lennox's favourite Christmas songs, though includes one original track written by Lennox, "Universal Child"…
For most artists recording a Christmas record is a convenient stop-gap in between releasing new material. In Peter Cetera's case this doesn't ring true as it has been a while since we last heard from one of soft rock's most distinctive crooners. You Just Gotta Love Christmas brings to the table everything you'd expect from a Peter Cetera record: lush, pleasant arrangements with crisp, warm, polished production and able musicanship from a crew of veteran session players. It's a mix of holiday favorites mixed in with a few originals and some guest appearances from Alison Krauss and Peter's daughter Claire; who is more than up to the task of singing with her father on two of the album's 12 tracks. Cetera and Chicago fans will no doubt enjoy having this on in the background during the holidays.
Another installment in Collectables' The Ultimate Christmas Album series, volume four gathers a mix of well-known and offbeat holiday tunes, including Elvis Presley's "Blue Christmas," the Platters' "Winter Wonderland," and Perry Como's "It's Beginning to Look a Lot Like Christmas." Brook Benton's "You're All I Want for Christmas," Percy Faith's "Christmas Is," and Otis Redding's "Merry Christmas Baby" are some of the collection's soulful highlights, while Santo & Johnny's "Twistin' Bells" and Stan Freberg's "Christmas Dragnet" add some novelty to the festivities. Though it's a somewhat uneven collection, The Ultimate Christmas Album, Vol. 4: WCBS 101.1 has enough interesting and classic moments to make it worthwhile for anyone looking to go beyond the season's basic music.
Another installment in Collectables' The Ultimate Christmas Album series, volume 3 gathers a mix of well-known and offbeat holiday tunes, including Nat King Cole's "The Christmas Song", The Singing Dogs' "Jingle Bells", The Supremes' "Twinkle Twinkle Little Me", The Ventures' "Sleigh Ride", Johnny Mathis' "Winter Wonderland", Perry Como's "Home For The Holidays", Burt Bacharach' "The Bell That Couldn't Jingle", Paul Anka's "It's Christmas Everywhere", Percy Faith's "We Need A Little Christmas", Andy Williams' "Happy Holidays", Ray Charles' "Christmas Time", Eartha Kitt's "Santa Baby".
Volume two of Collectables' Ultimate Christmas Album gathers more classic pop and rock holiday tunes, including the Beach Boys' "Little Saint Nick," Gene Autry's "Here Comes Santa Claus," and Diana Ross & the Supremes' "White Christmas." Most of this volume's best-known tracks are by traditional pop crooners, such as Dean Martin's "Let It Snow! Let It Snow! Let It Snow!," Bing Crosby's "It's Beginning to Look a Lot Like Christmas," and Burl Ives' "Holly Jolly Christmas." However, less-familiar tracks like the Echelons' "A Christmas Long Ago (Jingle Jingle)," Augie Rios' "Donde Esta Santa Claus," and Barry Gordon's "Nuttin' for Christmas" prevent the collection from being too predictable. It's not exactly a straightforward holiday-hits compilation, but The Ultimate Christmas Album, Vol. 2 balances enough standards and obscure tunes to make it a unique collection.
Collectables Records' various-artists compilation The Ultimate Christmas Album has been released both on its own and as a tie-in with a series of radio stations. There are identical editions of the album associated with KLUV, K-Earth 101 FM, and WCBS FM-101.1 in addition to this version, WJMK 104.3 Chicago. The word "ultimate" has been overused and misused in record releases to the point that it doesn't mean very much to see it on the cover of an album. Whether or not one considers this album to justify its title will have a lot to do with individual musical taste. If the potential consumer is a listener to one of the radio stations listed above, which are oldies stations devoted to playing pop/rock music of the 1950s, '60s, and '70s, he or she may agree that the album is the ultimate in holiday music of that period. Collectables has taken the trouble to license tracks from all of the major record labels except BMG, along with some minor ones, and several big holiday hits are included