None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.
Collection 2: Moving (2003). Collection 2 "Moving" is, as the title suggests, the second compilation from the Dutch label Databloem. This label has been making a terrific name for itself, releasing high-quality electronica albums from a number of new and exciting artists. Moving is billed as "a collection of ambient explorations and grooves" - and it's a very satisfying collection; seemingly a denizen of an alternate universe where techno artists chose to discard their club roots in favor of the ambient sound. Don't expect banging tracks of stunning beatwork - this is a fine selection of laid-back, downtempo head-bobbers. With exclusive tracks by Mantacoup, Carbon Boy, The Circular Ruins, Spielerei, Saul Stokes, Psychetropic, ENV(itre), Makunouchi Bento, Subradial, Vir Unis and Cyscape…
With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge – slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices.
Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of You," "Stella by Starlight," "All Blues," "I Thought About You," and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from tenor saxophonist George Coleman and freer moments from the young rhythm section of pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.