When her slimy boyfriend Danny (Peter Brown) uses his unsuspecting girlfriend Elizabeth (Tracy Bregman) to carry a stash of cocaine in her skis, she is nabbed by airport security. After a speedy trial, she is sent to the Correctional Institution for Women in California. There she learns quickly that she must toughen up if she hopes to leave there in one piece. She also eventually finds that the warden (Jill St John) is not only cruel and unsympathetic, but in cahoots with an inmate Cat (Barbara Luna) the prison's Queen Bee, who is her partner in a prison drug and prostitution racket.
Sets out basic theory for the behavior of reinforced concrete structural elements and structures in considerable depth. Emphasizes behavior at the ultimate load, and, in particular, aspects of the seismic design of reinforced concrete structures. Based on American practice, but also examines European practice.
Though the sudden embrace of the trappings of goth culture via Anne Rice was a bit odd, given Napolitano's long-standing fascination with both Catholic and Mexican imagery (and the elements of sex and death prevalent in both) it wasn't too strange. Her songwriting and singing focus remains much more roots-oriented, as the opening strut/stroll of "Bloodletting (The Vampire Song)" makes clear. Not that she and the band can't kick out the jams as well – immediately following that is "The Sky Is a Poisonous Garden," a punk-speed thrash with deliciously decadent imagery to boot. The most well known song was "Joey," which actually got some top 40 airplay; while it has a certain catchiness to it, ultimately it comes off as a less successful Heart song from the same era, which is saying something.