Damrau Deutsch Liszt Lieder

Diana Damrau, Helmut Deutsch - Franz Liszt: Lieder (2011)  Music

Posted by Designol at April 6, 2016
Diana Damrau, Helmut Deutsch - Franz Liszt: Lieder (2011)

Diana Damrau, Helmut Deutsch - Franz Liszt: Lieder (2011)
EAC | FLAC | Image (Cue&Log) ~ 306 Mb (incl 5%) | Mp3 (CBR320) ~ 200 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Virgin Classics | # 50999 0709282 4 | Time: 01:16:35

After her sumptuous album of Strauss songs with orchestra, soprano Diana Damrau marks the bicentenary of Liszt’s birth with an album of his most celebrated songs in German and Italian, accompanied by pianist Helmut Deutsch.

Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD (Repost)  eBooks & eLearning

Posted by nebulae at July 16, 2016
Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD (Repost)

Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD
2010 | ISBN: 3190594708 | German | PDF, MP4 | 40 pages | 23 + 32 MB
Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD (Mixed media product)

Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD (Mixed media product)
Publisher: Hueber | 2010 | ISBN: 3190594708 | German | PDF+MP4 | 40 pages | 22.9+32.1 Mb

Kinder brauchen Spaß, dann lernen sie ganz von selbst. Das neue Buch Spielerisch Deutsch lernen - Lieder und Reime ist da genau das Richtige! 14 schwungvolle Lieder erzählen aus der Lebenswelt der Kinder: Familie, Wetter, Farben, Tiere etc. …
Liszt: The Complete Piano Music - Leslie Howard 99 CD Box Set (2011) Part 4

Liszt: The Complete Piano Music - Leslie Howard 99 CD Box Set (2011) Part 4
Classical | MP3 CBR 320 kbps | 2,74 Gb | Artworks 34 Mb
Label: Hyperion | Release Year: 2011

Leslie Howard's recordings of Liszt s complete piano music, on 99 CDs, is one of the monumental achievements in the history of recorded music. Remarkable as much for its musicological research and scholarly rigour as for Howard's Herculean piano playing, this survey remains invaluable to serious lovers of Liszt. Every known note of Liszt's piano music has been recorded and is included here: Leslie Howard's 57 original volumes plus the further 3 supplements. GUINNESS WORLD RECORD for the world s largest recording series by a solo artist.
Gabriele Baldocci - Liszt: Beethoven Complete Symphonies, Vol. 2 (2017)

Gabriele Baldocci - Liszt: Beethoven Complete Symphonies, Vol. 2 (2017)
Classical, Piano | MP3 CBR 320 kbps | 01:11:50 | 165 MB
Label: Dynamic | Release Year: 2017

Liszt’s vast output includes a large number of piano transcriptions of pieces that range from Bach organ works to extracts of Wagner, as well as virtuoso fantasias and ‘paraphrases’ of operas by numerous composers, including Mozart, Verdi and Gounod. Liszt freely re-imagined the original works in order to produce dazzling performances. But his piano transcriptions of Beethoven’s nine symphonies are entirely different. These accounts are profoundly faithful to the score, prepared with minute attention to matters of instrumental timbre on the one hand, and suitably pianistic translations of orchestral textures and techniques on the other.

Kit Armstrong - Liszt Symphonic Scenes (2016)  Music

Posted by Pisulik at Jan. 18, 2017
Kit Armstrong - Liszt Symphonic Scenes (2016)

Kit Armstrong - Liszt Symphonic Scenes (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 317 MB | MP3 CBR 320 kbps - 161 MB | 01:09:44
Classical | Label: Sony Classical | Release Year: 2016

It could be argued that performances of the first and best known of Liszt’s Mephisto Waltzes by itself are missing half the story, and possibly the more interesting half. Liszt intended the Two Episodes from Lenau’s Faust as a diptych, and was none too pleased when his commercially minded publisher uncoupled them. Kit Armstrong’s interesting new recording handsomely demonstrates the startlingly rich context given to the Mephisto Waltz when heard after the multi-dimensional Procession by Night. The Procession here is atmospheric and, in the section built on the ‘Pange lingua’chant, affecting in its yearning. Imaginative articulation, pedalling and dynamics conspire to produce that rarity, a Mephisto Waltz that is genuinely original while remaining true to the score. The Second and Third Mephisto Waltzes are well paced and full of ideas, though without quite achieving the abandon of the First.
Robert & Clara Schumann - Lieder - Barbara Bonney & Vladimir Ashkenazy [1997]

Robert & Clara Schumann - Lieder - Barbara Bonney & Vladimir Ashkenazy [1997]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 257 MB
Classical | Label: Decca | Catalog Number: 452898 | TT: 1:11;06

Barbara Bonney's recital of the Schumanns' songs is prefaced, in the booklet-note, with a little feminist homily from the singer defending the reputation of Clara as woman and artist. Clara hardly needs that kind of defence nowadays, witness recent CDs by Skovhus and Stutzmann, plus several others not reviewed in these pages; her songs are far from patronized, let alone neglected. Yet, for all the advocacy of these singers, her inspiration remains for me intermittent, though thoroughly conventional songs are occasionally leavened by notably individual ones, such as, here, her very last and unpublished song, Loreley, which vividly conjures up that dangerous creature, particu lady in the hectic piano part, evocatively played by Ashkenazy. Indeed it seems that Heine most inspired her, as "Sic liebten sich beide" from her Op. 13 provoked a setting of economically intense meaning, to which Bonney finely responds.
– Gramophone [9/1997].
Thomas Quasthoff, Håkan Hagegård - Mahler: Lieder eines fahrenden Gesellen, Kindertotenlieder, Des Knaben Wunderhorn (2008)

Thomas Quasthoff, Håkan Hagegård, Gary Bertini - Mahler: Lieder eines fahrenden Gesellen, Kindertotenlieder, Des Knaben Wunderhorn (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 64:40 | 321 MB
Genre: Classical, Vocal | Label: Phoenix Edition | Catalog: 105PHOENIX

This is a reissue of Mahler performances delivered in Cologne in 1992 and 1993, and Thomas Quasthoff, just on the verge of international fame, was in phenomenal voice. The upper extension of his beautiful, expressive bass-baritone is thrilling, in perfect control. Artistically, he only grew stronger, as evidenced by his searing reading of 'Lieder eines fahrenden Gesellen' under Boulez (DG), but this earlier interpretation comes close, and there's no comparison so far as vocalism is concerned. The WDR orchestra plays well under the rather prosaic leadership of the late Gary Bertini (a native Russian who emigrated to Palestine as a child in the 1930s)– both are good enough, and the recorded sound is excellent. In all, this is a shattering reading by Quasthoff that should be heard by every lover of Mahler.

Timothy Fallon & Ammiel Bushakevitz - Liszt: 15 Songs (2017)  Music

Posted by SERTiL at Jan. 13, 2017
Timothy Fallon & Ammiel Bushakevitz - Liszt: 15 Songs (2017)

Timothy Fallon & Ammiel Bushakevitz - Liszt: 15 Songs
Classical | WEB FLAC (tracks) & d. booklet | 65:49 min | 238 MB
Label: BIS | Tracks: 15 | Rls.date: 2017

Timothy Fallon and Ammiel Bushakevitz appear regularly together in recital, and in 2013 won first prize in the Wigmore Hall/Kohn Foundation International Song Competition. For their début disc as a duo they have devised an all-Liszt programme which spans some 40 years of the composer's career, taking in settings of poems in four different languages.
Franz Schubert - Fritz Wunderlich, Hubert Giesen: Die Schone Mullerin · 3 Lieder (2016) [TR24][OF]

Franz Schubert - Fritz Wunderlich, Hubert Giesen: Die Schone Mullerin · 3 Lieder (2016)
FLAC (Tracks) 24-bit/96.0kHz ~ 1,36 Gb | Digital Booklet | 01:11:46 | RAR 5% Recovery
Classical, Chamber, Vocal | © 2016 Deutsche Grammophon GmbH

Despite his premature death at age 35, Fritz Wunderlich was one of the great lyric tenors of the century, equally at home with Mozart's Magic Flute and Mahler's Das Lied von der Erde. Why, then, does Schubert's great song cycle about disappointed love so often elude him? Though he brings his usual vocal splendor and gratifying lyricism to the music in ways that few tenors can dream of, both Wunderlich and his accompanist have a strangely club-footed sense of rhythm. What should often be an intimate expression is extroverted and even labored. – David Patrick Stearns