Assembled to mark the centenary of Henri Dutilleux (1916-2013), this collection of recordings, produced over a period of nearly 60 years, is unrivalled in its scope. Equally remarkable is its array of performers; among them are such dedicatees of the composer’s works as Mstislav Rostropovich, Renée Fleming, Seiji Ozawa and Paul Sacher. Quintessentially French, Dutilleux captured the imagination of audiences around the world with his iridescent, yet formally coherent scores, which engender narratives filled with memories and mystery.
Celebrating the 100th birthday of Academy Award-winning film composer Miklós Rózsa this three-CD box set captures his most memorable compositions. Present here are heraldic passages from the KING OF KINGS and BEN HUR scores the haunting piano concerto (with theramin!) from SPELLBOUND the lush and poignant love theme from THAT HAMILTON WOMAN the pastoral wedding suite from EYE OF THE NEEDLE and many more evocative symphonic works.
A solitaire in French is a single mounted jewel, a concept that seems less than apt for the rather hefty works recorded here by British pianist Kathryn Stott. But this fine recital holds together in another way: Ravel, who so often provides the temporal endpoint for traditional piano recitals, is here, to a greater or lesser extent, the launching point for the other three composers featured. Stott's reading of the neoclassical Le Tombeau de Couperin is beautifully precise and balanced, catching the economy of this Baroque-style suite to the hilt. That economy carries over into the later works, even the rarely performed Piano Sonata of Henri Dutilleux, a work that deftly fuses Ravel's sense of classical forms with a largely dissonant language. The opening Prelude and Fugue of Jehan Alain, actually two separate works that are reasonably enough combined here, is another seldom-played piece that makes an arresting curtain-raiser, and the final "Le baiser de l'Enfant Jésus" of Messiaen, part of the giant Vingt regards sur l'Enfant Jésus, is the splendid climax of the whole, its spiritual, dreamlike ascent at the end superbly controlled.
Since the end of the seventeenth century French composers have shown a particular skill and deftness of touch in writing for the flute. The instrument owes much of its prominence in French music of the twentieth century to the use made of it in orchestral colouring by composers such as Debussy and Ravel, as well as to a group of highly gifted players associated in one way or another with the Paris Conservatoire. They include the soloist on this recording, Patrick Gallois, a pupil of Jean-Pierre Rampal. This collection of works composed during the last sixty years ranges from Poulenc’s Sonata, marked by rhythmic vitality and a delicate vein of sentimentality, Messiaen’s Le merle noir, inspired by bird song, to Boulez’s Sonatine, which the composer himself has characterised as ‘organised delirium’.
To mark the Centenary of the Battle of the Somme.
‘Marvellously resourceful and inventive scores which are given vivid and persuasive performances by Tortelier and the BBC Philharmonic orchestra… The engineers give us a splendidly detailed and refined portrayal of these complex textures – the sound is really state-of-the-art.’The Penguin Complete Guide
Henri Dutilleux's "Ainsi la nuit" (1976) is a modern classic, and it's easy to see why. This is a work that parodoxically combines impressionist lushness and total transparency, surface attractiveness and deep mystery. Ravel meets Bartok? The work is in seven movements, which each have their own particular concern, though there are "parenthetical" moments that interlink the entire piece. "Nocturne 1" is a mysterious static soundscape periodically fractured by outbursts………Christopher Culver @ amazon.com
''A centenary journey 1900-2000'' illustrates a century of jazz from 1900 until 2000 beginning with Rag Time until today’s Grooves. Each decade relates to a specific style. From 1970 on the acoustic rhythm section is replaced by the electric rhythm section by the masterly drummer Thomas Lang. The program is presented in the course of the European tour at the following festivals: JVC Festival Paris, Jazz-no-Jazz Zürich, Sarajevo, Bolzano and Leverkusen.