The Allman Brothers shared the bill with the Grateful Dead on several notable occasions. This release recalls the Brothers in support of the Dead and Love in February 1970 at the fabulous Fillmore East. No specific dates for the performances are noted, so it is presumed this release is a composite from recordings made at some point during the two sets per night that the Allman's performed on February 11th through the 14th. There is no mistaking the unbridled fervor of the original line-up of the band. Rising to the challenge of exploratory psychedelia – while remaining ever faithful to their Southern blues roots – blues standards such as "(I'm Gonna Move to The) Outskirts of Town" and "Hoochie Coochie Man" are strengthened and extended beyond their typical assertions. No longer are they relegated to the inadequately rendered thrashings of garage rock. Betts and the Allman's understand the dynamics of blues. It is out of this respect for the art form that the band is able to pull off such authentic psychedelia-tinged Delta sounds.
Minneapolis Genius is the first collection of studio recordings by 94 East, the band name given to a number of tracks recorded by Pepé Willie and Prince with occasional other musicians (it is misleading to consider it an "album", as the tracks have been rearranged many times for reissues under different titles). The collection contained one song with writing input by Prince, Just Another Sucker, and Prince appeared as a musician on all tracks, stemming from recording sessions between 1975 and 1979 (the cover subtitle incorrectly labels the sessions as "the historic 1977 recordings"). Prince had no input into the final release, however, and was upset at its release, leading to a heated discussion between Prince and Pepé Willie in First Avenue in Minneapolis upon its release.
As the '60s came to a close, Jimi Hendrix pushed the boundaries of funk, rock and R&B with a brand new group, Band of Gypsys. Together with bassist Billy Cox and drummer Buddy Miles, Hendrix unveiled stunning, newly written material across four shows at the legendary Fillmore East in New York City. Machine Gun: The Fillmore East First Show 12/31/69 marks the first time Band of Gypsys' first show has ever been released in its entirety, newly mixed by Eddie Kramer from the original 1" eight-track masters.
When Sly & the Family Stone seized Manhattan's Fillmore East for a two-night, four-set stand in October 1968, the sonically and socially advanced band was just starting to cook. Earlier in the year, "Dance to the Music" became their first charting single, a Top 10 pop hit…
East is one of the most beloved prog acts from Hungary (if not the most). While the rest of the world was into New Wave, Marillion carried the prog torch for Great Britain and points west. Guitarist János Varga, keyboardist Géza Pálvölgyi, singer Miklós Zareczky, bassist Péter Móczán and percussionist István Király decided to pick up the prog banner for Eastern Europe. In 1981, they released their debut album "Játékok (Games). It was a well-received debut, and is still highly regarded. However, it is the sophomore effort, 1982's "Hüség" (Faith), that seems to capture more hearts. The first two albums were more symphonic inspired, but they felt the need (or perhaps pressure) to pursue a more mainstream approach…
Reissue with the latest DSD remastering. An aggressive bit of funky fusion – a set that matches the talents of Japanese trumpeter Shunzoh Ohno with some hip American grooves from Reggie Lucas on guitar, Cedric Lawson on keyboards, Don Pate on bass, and Roy Haynes on drums! The sound is very full-on – in a mid 70s Miles Davis electric mode, but with perhaps a bit more of a funk touch on the best cuts – almost a refinement of the groove that Miles hit in Japan, fusing the energy into some great tunes that really pack a sharp punch! Haynes' drums are surprisingly heavy at points – and titles include "You Dig That?", "But It's Not So", and "I Remember That It Happened".
Reissue with the latest DSD remastering. The intimate nature of the title is very apt on this one – as the album features spare duets between drummer Masahiko Togashi and other Japanese musicians – including the great Sadao Watanabe on flute, and either Masahiko Satoh and Masabumi Kikuchi on piano! The sound is open, and sometimes a bit free – but in a way that's very inventive, and never too overpowering – as Togashi finds a way to really keep things grounded, and work in the best collaborative spirit with each musician. A real standout on the East West catalog of the 70s – and titles include "Haze", "Fairy Tale", "Song For Myself", and "Song For My Friends".