A signal moment in the arrival of Italian music on Spanish soil came in the summer of 1708 when Antonio Caldara, finding his opportunities for providing dramatic works for the opera-loving Duke of Mantua limited by the War of the Spanish Succession, headed off to Barcelona to take on acommission for putting on an operatic work from Archduke Charles (“Carlos III”), who was preparing his own wedding festivities at the court he had established in order to contend for the Spanish throne. For three centuries this serenata, Il più bel nome has (like much of the hugely successful theatre music of its time written by this Baroque composer from Venice) been passed over – thereby presenting Emilio Moreno and El Concierto Español with a superb opportunity to gather together an outstanding quintet of soloists to lead this paean of praise to St Elisabeth and, by extension, to Archduke Charles’ future wife, Princess Elisabeth Christine of Wolfenbüttel.
There is only one word that can describe Narciso Yepes' technique: extraordinary. He was one of the finest virtuoso classical guitarists of the 20th century and his DG albums are regarded as reference recordings. This 5 CD Original Jackets collection brings together all of his concerto recordings for the Yellow Label, recorded between 1969 and 1979. The repertoire ranges from Vivaldi’s Lute Concertos adapted for guitar, to works written for Yepes and other leading guitarists of the 20th century.
Spanish guitar legend Narciso Yepes, who was known for his outstanding technical abilities and his fine artistic judgment, recorded exclusively for Deutsche Grammophon for more than 20 years. This collection brings together all of his concerto recordings for the Yellow Label, recorded between 1969 and 1979. The repertoire ranges from Vivaldi Lute Concertos adapted for guitar to works written for Yepes and other leading guitarists of the 20th century.
Composed at a time when neither oratorio nor opera existed, Emilio de' Cavalieri's musical drama Rappresentatione di anima et di corpo combines song, stage action, dance, and instrumental music in perfect harmony. The work's libretto, attributed to Agostino Manni, presents a musical morality play in which soul and body dispute, with the participation of other allegorical characters and angels and souls both in heaven and hell. On this new recording, maestro Rene Jacobs illuminates this key work, which was written at the dawn of the Baroque revolution.