Welcome to the Wrecking Ball! is Grace Slick's 1981 follow-up to her solo album Dreams (1980). Her third solo album, it was released before stepping back into her old position in Jefferson Starship. The lyrics of the first track include numerous references to Slick's dislike of rock journalists and critics. The songs Slick wrote for side-B of the album are closer in style to the psychedelic songs of Jefferson Airplane than to the songs on the previous album Dreams, and the song "No More Heroes" contains vocal overlays and tape effects speeding up and slowing down the song. The album rose to #48 on the Billboard charts.
Dreams is a studio album by Grace Slick. It was released in 1980 on RCA Records. The album features a psychedelic rock sound, with flamenco elements on "El Diablo". It was recorded in New York without any previous or current members of Jefferson Starship. Steve Price of Pablo Cruise plays drums on "Garden of Man." The album reached #32 on the Billboard charts. It also attained the number 28 position on the UK album chart.
Manhole was the last of the experimental Jefferson Airplane, and Grace Slick's first official solo album. While Bark and Long John Silver, the final stages of the original Airplane, displayed the excessive psychedelic nature of the musicians within the confines of their group format, Blows Against the Empire, Sunfighter, and Baron Von Tollbooth and the Chrome Nun allowed for total artistic expression. Manhole concluded this phase with 1974's other release, the Jefferson Starship's Dragonfly. By taking the name from Paul Kantner's Blows Against the Empire solo project, Dragonfly began the renewed focus on commercial FM which would turn into Top 40 airplay. Manhole is the antithesis of that aim, but is itself a striking picture of Grace Slick as the debutante turned hippy being as musically radical as possible.
Arguably the turning point in the career of Jefferson Airplane was the weekend of October 14-16, 1966, when the band played the Fillmore Auditorium in San Francisco on a triple bill, preceded by the Paul Butterfield Blues Band and followed by headliner Big Mama Mae Thornton, two shows a night. This was the engagement during which the Airplane's original female singer, Signe Anderson, gave way to Grace Slick. Anderson performed on the first two nights (the late show of the second providing the archival album Live at the Fillmore Auditorium 10/15/66: Late Show – Signe's Farewell, released simultaneously with this album in 2010), and Slick took over on Sunday night; the 27-and-a-half-minute early show and the 43-minute late show are presented here.
The second album by Jefferson Airplane, Surrealistic Pillow was a groundbreaking piece of folk-rock-based psychedelia, and it hit like a shot heard round the world; where the later efforts from bands like the Grateful Dead, Quicksilver Messenger Service, and especially, the Charlatans, were initially not too much more than cult successes, Surrealistic Pillow rode the pop charts for most of 1967, soaring into that rarefied Top Five region occupied by the likes of the Beatles, the Rolling Stones, and so on, to which few American rock acts apart from the Byrds had been able to lay claim since 1964. And decades later the album still comes…/quote]