“Eleven discs, fourteen hours of music. After the successful issue of Minimal Piano Collection I-IX Jeroen van Veen & friends have recorded works for 2 to 6 pianos, from - among others - Ten Holt, Eisenga, Meijering, Glass, Pärt, and Reich. With swinging effects, transformations and challenging rhythms…."
This unusual collection is dedicated to the very popular style: minimal music. Over the years this has evolved from austere, almost strict repetition with tiny movements to a more varied and free approach to material and technique. This set includes works for piano solo by most of the famous minimal composers. Starting with initiator, if you will, Cage, and followed by the first generation entirely devoting itself to this style: Riley and Glass. The next generation is represented by John Adams and Michael Nyman. Dutch pianist Jeroen van Veen is fascinated by minimal music.
Outstanding execution by Jeroen Van Veen with superb sound quality. Einaudi's work is difficult to categorize as he pulls classical, pop, new age and cinematic ideas into thoughtfully crafted modern pieces. Highly appealing because it's simply all very good.
A much-admired contemporary, living composer whose popularity among a wide cross-section of music devotees and casual listeners transcends genre barriers. This new double-disc set of the complete piano music encompasses works composed over a 50 year span. Jeroen Van Veen is a preeminent and critically-favored Minimalist advocate and multi-dimensional artist with a noteworthy backlist of Brilliant Classic releases to his credit with more to come. Booklet notes written by Jeroen Van Veen.
Michael Nyman (born 1944) is one of the most famous and successful film music composers of our time. His music, although inextricably connected with the visual action of a film, has the quality to stand on its own, to evoke and express the visual emotions in sounds only. Nyman’s most famous film score is of the film “The Piano” , becoming an instant hit. Its openness and its deceptively simple musical lines appealed to a mass audience. The music featured on this recording is either originally written for piano or arranged by the composer himself. Minimal Music champion Jeroen van Veen has been fascinated by Nyman’s music his whole life, and the recording of it was a logical step. He is the ideal interpreter of this seductive, mind opening music.
The emotional content, lyricism and direct appeal of Gavin Bryars’s music are unique, reflecting a contemporary composer’s absorption and transformation of several centuries of musical craftsmanship in order to reflect his, and our, own epoch. Originally written for harpsichord, After Handel’s Vesper is a strong illustration of Bryars’s post-minimal interests in early music repertoire. Ramble on Cortona, derived from 13th-century music, makes expressive use of the piano’s resonant qualities, while in the highly-coloured, almost impressionistic The Solway Canal, landscapes pass by as if in a dream.
THE DEVIL RIDES OUT is a power packed with 1970s heavy metal and leaves no stone unturned. If you like classic heavy metal, then you cannot afford to miss out on this album. This album comes straight from the heart of all four musicians that are part of it, and it connects to directly to the listener's heart.
This CD is quite a bit different than most audiophile releases for it contains rare rather than famous recordings. 1959's The Fourth Herd (which features an all-star group of studio musicians and Woody Herman alumni along with his octet of the time) was only put out briefly by Jazzland while the music on 1962's The New World of Woody Herman was never available commercially before; both were originally cut for the SESAC Transcribed Library and were available only to selected radio stations on a subscription basis…
Reissue with the latest 2014 DSD remastering. Comes with liner notes. Louis van Dyke, in fact his surname was van Dijk, but that didn't look English enough I guess. In 1961 he had won the Loosdrecht Jazz concours with his trio and made his first album, titled Trio / Quartet in June 1964. In the quartet recordings Carl Schulze, the vibraphone player, was added. He won with this LP an Edison Award, one of the most important awards in the Dutch amusement world.
Townes Van Zandt was a one-of-a-kind artist who blazed a new trail for singer/songwriters, conjuring a sound that combined elements of country and folk with his own artful melodic sensibility, matched with lyrics that were personal, poetic, and impressionistic while remaining firmly down to earth. A new breed of Texas singer/songwriters followed Van Zandt's example, and it's all but impossible to imagine artists like Guy Clark, Jimmie Dale Gilmore, or Steve Earle finding their voice without his guiding influence. This two-disc set features Van Zandt's first two albums, 1968's For the Sake of the Song and 1969's Our Mother the Mountain.