While Ivo Pogorelich established his reputation performing mainly Romantic repertoire, his few forays into the Baroque reveal him to be an equally engaging- if not eccentric musician here as well. In quicker movements, such as the opening Preludes of the English Suites for instance Pogorelich's rhythmic control and contrapuntal clarity are simply amazing. Slower movements likewise are handled with remarkable intensity and delicacy. Pogorelich's performances of four Scarlatti sonatas concluding the program as well are wonderfully animated and knowing.
Together in one box all the records for printing the great pianist Ivo Pogorelich, one of the most respected and extraordinary 80 artists of recent decades.
Shot with simplicity and gimmick-free acuity these two recitals were filmed early in Pogorelich’s career. Both took place in palatial surroundings, the pianist casually dressed, alone. And both find him exuding the concentrated stillness that was so much a feature of such performances, despite his reputation for wilfulness and eccentricity. He was twenty-eight at the time, seemingly infallible and playing the repertoire that made his DG recordings of the time so important a feature of that company’s output.
This is the second CD Ivo Perelman recorded with Karl Berger. However, on the first CD ( CD LR 712 - Reverie) Karl played piano while this time he played vibraphone. This was the first time ever that Ivo played with vibraphone. Both albums are very different because of the nature of the instruments. Playing with vibraphone opened the door for Ivo to show his kinder, gentler side. According to Ivo, Karl happened to be more 'European,' more romantic.