2006 CD featuring all 16 of the surviving sessions this Scottish-born Folk legend recorded for the Bob Harris and John Peel radio programs at the BBC between 1973 and 1978. Martyn began his career as a teen in the late '60s and has become one of the most innovative and influential artists to come from the original British Folk scene. Features rare versions of tracks from his Inside Out, Solid Air, Sunday's Child and One World albums including 'Inside', 'Beverley', 'May You Never', 'Fine Lines', 'My Baby Girl', 'Over the Hill', 'One Day (Without You)' and more.
The Island Years is the most exhaustive career retrospective from one of Britain’s most original and enduring singer/songwriters. Housed in an LP size hard-back slip case, this lavish box set including: 17 CDs featuring 12 key studio albums, recorded for Island between 1967 and 1987, now with previously unreleased mixes, Out-Takes, unheard songs and 2 complete, previously unreleased live solo concerts from 1972 and 1977 and the complete demos for The Apprentice, the last album Martyn delivered to Island. A hard-back book featuring a new essay by The Island Years compiler and researcher John Hillarby plus rare and previously unseen photographs and extensive memorabilia.
In 1990 John Martyn undertook a series of concerts at the Shaw Theatre, London, playing his comeback album, "The Apprentice". These concerts were filmed and released on video in 1990, but later deleted in 1995. Now for the first time, this concert is available as a DVD release.
Singer/songwriter/guitarist John Martyn was born Iain David McGeachy on September 11, 1948, in New Malden, Surrey, and raised in Glasgow by his grandmother. He began his innovative and expansive career at the age of 17 with a style influenced by American blues artists such as Robert Johnson and Skip James, the traditional music of his homeland, and the eclectic folk of Davey Graham (Graham remained an influence and idol of Martyn's throughout his career).
Following an inauspicious first release for Island, John Martyn's unique brand of acoustic music began to take some sort of shape with the Al Stewart-produced The Tumbler. Martyn, whose debut was a solo acoustic offering, here employs a second guitar, bass and, most notably, jazz flautist Harold McNair to create his blend of folk, blues and jazz…
Glasgow Walker is a 2000 album by John Martyn. It was his first album to be written on a keyboard rather than a guitar, after a suggestion from his friend Phil Collins. It contains a trip-hop song, "Cool In This Life", after John experimented with trip-hop on his earlier album And. Kathryn Williams is featured on backing vocals on "Can't Live Without" and "The Field of Play." The album was dedicated to Rod Woolnough.
Compiled, with John Martyn's blessing, by John Hillarby from the official John Martyn website and with sleeve notes by Record Collector's Daryl Easlea, John's landmark album from 1973 has now been digitally remastered and expanded into a 2CD set. Disc One contains the original album, considered by many to be his best album, digitally remastered and sounding better than ever. Disc Two contains 12 previously unreleased out-takes, 3 live tracks and the 7-inch single version of May You Never.
Following a short layoff, John Martyn returned with his 12th record (including two with wife Beverley and a best-of collection), Grace & Danger. The album, which finds Martyn fronting a tight quartet featuring Phil Collins on drums and backing vocals, paints a stark, painful portrait of Martyn and Beverley's crumbling marriage. Close friend and Island Records president Chris Blackwell reportedly found the songs so personal and unsettling that he delayed its release for a year. Martyn sets a somber feel right from the start with the seductive opener "Some People Are Crazy" and carries it, for the most part, throughout the record. The hushed, tormented blues of "Hurt in Your Heart," the beautiful "Sweet Little Mystery," and the heartbreaking closer "Our Love" are a few of the highlights. With some of his clearest, strongest singing in years and a collection of terse, honest originals, as well as a cover of the Slickers' reggae classic "Johnny Too Bad," Grace & Danger shows John Martyn at the top of his game.
Remastered reissue of the British folksinger/songwriter 1973 album for Island. Now features a bonus track, 'I'd Rather Be The Devil (Live)'. 10 tracks in all. Q Magazine gave it the 67th best album of all time as well as rating it one of their.
John Martyn's On the Cobbles is the warmest of folky blues, consistently impressive despite being recorded in eight different studios across England, Ireland and the USA. Occasionally, as with the sparse and haunted Ghosts, he even reaches the atmospheric peaks of his classic Solid Air. As is the fashion, there are several auspicious guests–Mavis Staples, Paul Weller and the Verve's Nick McCabe–but, really, none of them add much to a set that's alternately tortured, spacey and hugely romantic. Martyn is unarguably the star of this show, excelling both as the gruff blues moaner and soft balladeer, but also testing different ground with the Pink Floyd ambience of "Go Down Easy", the spiritual jazz of "My Creator" and the dark, rootsy "Cobbles", the latter's mournful backing vocals recalling those of Nick Cave and his Bad Seeds.