Jordi Savall Marin Marais

Jordi Savall - Marin Marais - Suitte D'un Gout Etranger, Pieces De Viole Du IV Livre, 1717 (2006) {2CDs Alia Vox}

Jordi Savall - Marin Marais - Suitte D'un Gout Etranger, Pieces De Viole Du IV Livre, 1717 (2006) {2CDs Alia Vox}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 575 Mb | MP3 @320 -> 250 Mb
Full Artwork @ 300 dpi (jpg) -> 396 Mb | 5% repair rar
© 2006 Alia Vox | AVSA 9851 A+B | DSD mastering
Classical / Chamber Music / Baroque

French composer Marin Marais (1656-1728) was remarkably prolific, writing nearly 600 compositions for viola da gamba, as well as many operas. One of his major collections of music for the gamba is Suitte d'un Gôut Etranger, a collection of 33 short works written, according to the composer, "to stretch the skill of those who do not like easy pieces." Jordi Savall, the most acclaimed gamba player of the late twentieth and early twenty first centuries, who is responsible for bringing many of Marais' works to light, plays with extraordinary virtuosity and expressiveness.
Marin Marais - Suites pour Viole de Gambe (Jordi Savall)

Marin Marais - Suites pour Viole de Gambe (Jordi Savall)
7 CD | MP3 | 1975-1983 / 2006 | 6 RAR 1.02 Gb
MP3 192 Kbps | Lame encoded | Tracks, Covers

French composer Marin Marais (1656-1728) was remarkably prolific, writing nearly 600 compositions for viola da gamba, as well as many operas. One of his major collections of music for the gamba is Suitte d'un Gôut Etranger, a collection of 33 short works written, according to the composer, "to stretch the skill of those who do not like easy pieces.". Between 1975 and 1983, Jordi Savall recorded five albums including the most beautiful pieces from each of the five Books of Pieces for the Viol composed by Marin Marais between 1686 and 1725. A silence of nearly 250 years came to an end. A repertoire - and even better, an instrument - returned from oblivion. The memory of a composer had never been so closely linked to the performing art of a musician.
Jordi Savall & Hesperion XXI - Orient-Occident II: Hommage a la Syrie (2013) {Alia Vox AVSA9900}

Jordi Savall & Hesperion XXI - Orient-Occident II: Hommage a la Syrie (2013) {Alia Vox AVSA9900}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 411 Mb | MP3 @320 -> 183 Mb
Full Artwork @ 600 dpi (jpg) -> 207 Mb | 5% repair rar
© 2013 Alia Vox | AVSA 9900
Classical / World Music / Medieval

The first volume of Orient Occident - released in 2006 - turned out to be a landmark in Jordi Savall's discography. For the first time, the maestro explored an extra-European repertoire, demonstrating the same musicological expertise he had shown with composers like Marin Marais. The album soon became a best seller. The second volume in this exploration focuses on Syria, alternating instrumental and vocal pieces. Musicians from Syria, Lebanon and Israel play alongside Hesperion XXI and illustrate the artistic and humanist process we have come to expect from Jordi Savall.
Marin Marais - Pieces de viole du Second Livre, 1701 (Jordi Savall) [2003]

Marin Marais - Pièces de viole du Second Livre, 1701 (Jordi Savall) [2003]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 377.39 MB
Classical | AliaVox | AV 9828

Marin Marais (31 May 1656, Paris – 15 August 1728, Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for 6 months. He was hired as a musician in 1676 to the royal court of Versailles. He did quite well as court musician, and in 1679 was appointed "ordinaire de la chambre du roy pour la viole", a title he kept until 1725.
wiki

Jordi Savall - Llibre Vermell de Montserrat (2016)  Music

Posted by tomashass at Dec. 2, 2016
Jordi Savall - Llibre Vermell de Montserrat (2016)

Jordi Savall - Llibre Vermell de Montserrat (2016)
MP3 320 kbps CBR | 01:11:44 | 166 MB
Genre: Classical, Medieval Era, Sacred | Label: Alia Vox

Jordi Savall is among the leading instrumentalists and conductors of the European early music scene, specializing in Renaissance and medieval music. He began studying music when he was six, learning cello and pursuing that instrument at the Barcelona Conservatory. He took an interest in early music, and began learning the viola da gamba. That instrument possesses approximately the same range and similar playing technique as the cello, but instead of being a member of the violin family is part of the related, older family of stringed instruments, the viol family, visually most easily distinguished from their cousins by their sloping shoulder lines.
Francois Couperin - Les Concerts Royaux (2005) (Jordi Savall)

Francois Couperin - Les Concerts Royaux (2005) (Jordi Savall)
Classical | 1cd | EAC Rip | Flac + Cue + Log | covers
Alia Vox, AV9840 | rec: 2004 | 400Mb

Composed for the Sunday concerts of the aging Louis XIV, François Couperin's Concerts Royaux are as good as it gets for French Baroque chamber music. The lightness, the tenderness, the elegance, the etherealness, and, above all, the endearing poetry and enduring musicality of Couperin's works are as ingratiating today as they were 300 years ago. This is particularly true in this AliaVox recording by the international Le Concert des Nations led by bass violist Jordi Savall.
Jordi Savall - Carlos V - Mille Regretz: La Cancion Del Emperador (2000) {Alia Vox AV 9814}

Jordi Savall - Carlos V - Mille Regretz: La Cancion Del Emperador (2000) {Alia Vox AV 9814}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 361 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (jpg) -> 78 Mb | 5% repair rar
© 2000 Alia Vox | AV 9814
Classical / Renaissance / Medieval / Choral / Instrumental Music

Jordi Savall has brought us yet another treasure on his own Alia Vox label, this time a mixed bag of music by Reformation Era composers and a handful of slightly earlier works. It’s all taken from a concert program Savall gave last year under the aegis of “greatest hits of the court of Charles V”. The composers presented are mostly court musicians for that Holy Roman Emperor, but Josquin and Heinrich Isaac also are included, the latter as a nod to Charles’ grandfather, Maximilian I, who was responsible for getting Charles the crown. Savall combines his first-rate instrumental ensemble, updated to Hespèrion XXI, with his own vocal group, La Capella Reial de Catalunya. The results are captivating. Savall’s musicians are tops in the field, and their collective talents, constantly on display in this varied program, are simply a joy to hear.
Jordi Savall - Alfons V El Magnanim (1396 - 1458) - El Cancionero De Montecassino (2001) {2CD Alia Vox AV9816 A+B}

Jordi Savall - Alfons V El Magnanim (1396 - 1458) - El Cancionero De Montecassino (2001) {2CD Alia Vox AV9816 A+B}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 651 Mb | MP3 @320 -> 342 Mb
Artwork @ 600 dpi (jpg) -> 124 Mb | 5% repair rar
© 2001 Alia Vox | AV9816 A+B
Classical / Medieval / Renaissance / Choral / Instrumental Music

The works on this 2-CD set all come from a single source: a document called "Cancionero de Montecassino" which is believed to contain works composed between 1430 and 1480. Somehow the document has survived down through the centuries; it was almost lost when the Abbey where it was stored was bombed in 1944. Luckily the document survived so that this amazing CD set could be recorded by the - also amazing - Le Capella Reial de Catalunya. This CD is the second in a series entitled "Musicas Reales", the first of which being "Carlos V" containing works mainly from the 16th century. If you enjoyed that one, then "Alfons V el Magnanim" will be a welcome addition to your CD spinner.
Jordi Savall & Le Concert des Nations - Tous les matins du Monde (2001) {Alia Vox CD & Bonus CD AV9821}

Jordi Savall & Le Concert des Nations - Tous les matins du Monde (2001) {Alia Vox CD & Bonus CD AV9821}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 694 Mb | MP3 @320 -> 326 Mb
Artwork @ 300 dpi (png) -> 151 Mb | 5% repair rar
© 2001 Alia Vox | AV9821 / BE-AV9821
Classical / Baroque / Chamber Music / Bass Viola da gamba

The 1991 French film Tous les matins du monde (All the Mornings of the World) attracted an audience of unexpected size for a story about French Baroque viol music, becoming a runaway hit in France and Germany and even gained wide distribution in the classical-chary U.S. The commercial ramifications grew with the release of the film's soundtrack, featuring early music giant Jordi Savall on viol; the soundtrack achieved platinum sales levels in its initial release. The film's story, built on a very few sketchy facts about the reclusive seventeenth century viol player known only as Monsieur de Sainte Colombe, drew viewers with its modern resonances touching on the conflict between art and popular success, and partly with its dramatic lighting reminiscent of the paintings of Louis le Nain. The soundtrack has a few pieces with vocals or with a small ensemble of other players.
Jordi Savall, Ton Koopman, Ariane Maurette - Francois Couperin - Pieces de violes - 1728 (2012) {Alia Vox AVSA9893}

Jordi Savall, Ton Koopman, Ariane Maurette - Francois Couperin - Pieces de violes - 1728 (2012) {Alia Vox AVSA9893}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 239 Mb | MP3 @320 -> 103 Mb
Artwork @ 600 dpi (jpg) -> 344 Mb | 5% repair rar
© 1975, 2012 Alia Vox | AVSA9893
Classical / Baroque / Chamber Music / Bass Viola da gamba / Harpsichord

This beautiful recording, once long out-of-print, is now remastered in high definition multi-channel hybrid SACD, and is the first album made by Jordi Savall for the Astrée label, now reissued on Alia Vox. With this rare 1975 disc, Savall confirmed François Couperin as a master composer for viola da gamba with affinities to the previous masters of French music. On the recording Mr. Savall plays an authentic 7-string bass viol, anonymously constructed in 17th century France. He is joined by musicians Ton Koopman playing a Gilbert des Ruisseaux harpsichord built in the late 17th century and Ariane Maurette playing a Barak Norman bass viol constructed in London in 1697. Couperin’s music for these colorful instruments is marvelous, contemplative and beguiling. The highly collectible album, a must-have of the Savall oeuvre, is now available again and features a very informative booklet.