Lusine Zakaryan (Armenian: Լուսինե Զաքարյան), born Svetlana Zakaryan, (June 1, 1937 in Akhaltsikhe, Georgian SSR – December 30, 1992, in Yerevan, Armenia), was an Armenian soprano. She grew up in the Samtskhe-Javakheti region of southern Georgia. In 1952, she moved with her family to Yerevan, where she attended a secondary music school. She entered the Yerevan State Musical Conservatory in 1957 and her singing talent soon became clear.
From 1970 to 1983, Zakaryan was a soloist with the symphony orchestra of Armenian TV and Radio. She also sang in the choir of the Armenian Apostolic Church's Holy See at the Echmiadzin Cathedral, and it is for her magnificent rendition of centuries-old Armenian spiritual hymns that she is now most remembered.
Zakaryan was also known for singing the international opera repertoire as well as Armenian traditional and church music.
Though Finnish master musicians Maria Kalaniemi and Timo Alakotila both play in many bands, something remarkable happens when they strip the music down to duets. The chemistry between the two emerges, creating a sound that is incredibly warm and intimate. On Åkerö — their first album as a duo since 2001’s Ambra — Kalaniemi (free-bass, five-row, button accordion) and Alakotila (pianist best known for his work with JPP) play like one musician. Their intricate arrangements showcase a wide dynamic range, from bold climaxes to subtle pauses. There’s probably no better example of this than the title track. It opens the album with the accordion playing both melody and counter melody as Alakotila’s piano enters almost imperceptibly, slowly growing in intensity. The music crescendos and decrescendos, continually and dramatically changing direction but always returning to the anchor of the opening melodies — all in a stunning five minutes.