Since 2002, Marillion celebrate themselves and their fans in an extraordinary way. Every two years, the band and their most dedicated fans gather together for a very special weekend in the UK, the Netherlands and Canada. On three nights, Marillion perform three different shows with different set-lists consisting of full records played from start to finish, fan favourites and rarities…
earMUSIC is delighted to announce the release of the brand new Marillion album ‘FEAR’ [‘Fuck Everyone And Run’] on 23 September 2016. The album will be available on SuperAudio-CD DigiPak [strictly limited to the first run], CD JewelCase, LP and Digital formats. This, the band’s eighteenth studio album, features 5 brand new tracks and the feeling within the band themselves is that they may well have produced their best ever work. Marillion has certainly not mellowed with age; the album artwork shows the acronym ‘FEAR’ embossed on a gold ingot, and the songs themselves bear the hallmark of true quality.
One of the few Neo Prog albums I really like. It clearly reminds of Genesis (Peter Gabriel's era of course), but it's not a copy, it's more of a "continuation" of what has been done in the previous decade. In my opinion one of the best albums of the '80s.
After the album-tour-album cycle of Script for a Jester's Tear, Fugazi, and the subsequent Euro-only release of Real to Reel, Marillion retreated to Berlin's Hansa Ton Studios with Rolling Stones producer Chris Kimsey to work on their next opus. Armed with a handful of lyrics born out of a self-confessed acid trip, Fish came up with the elaborate concept for 1985's Misplaced Childhood. Touching upon his early childhood experiences and his inability to deal with a slew of bad breakups exacerbated by a never-ending series of rock star-type "indulgences," Misplaced Childhood would prove to be not only the band's most accomplished release to date, but also its most streamlined. Initial record company skepticism over the band's decision to forge ahead with a '70s-style prog rock opus split into two halves (sides one and two) quickly evaporated as Marillion delivered its two most commercial singles ever: "Kayleigh" and "Lavender." With its lush production and punchy mix, the album went on to become the band's greatest commercial triumph, especially in Europe where they would rise from theater attraction to bona fide stadium royalty.