Digitally remastered two-fer containing a pair of Chess Records albums from the Blues great: 1966's Muddy, Brass And The Blues and 1973's Can't Get No Grindin'. Muddy, Brass And The Blues was a massive undertaking in direction which a couple of years later John Mayall.
After a string of mediocre albums throughout most of the 1970s, Muddy Waters hooked up with Johnny Winter for 1977's Hard Again, a startling comeback and a gritty demonstration of the master's powers. Fronting a band that includes such luminaries as James Cotton and "Pine Top" Perkins, Waters is not only at the top of his game, but is having the time of his life while he's at it. The bits of studio chatter that close "Mannish Boy" and open "Bus Driver" show him to be relaxed and obviously excited about the proceedings. Part of this has to be because the record sounds so good. Winter has gone for an extremely bare production style, clearly aiming to capture Waters in conversation with a band in what sounds like a single studio room. This means that sometimes the songs threaten to explode in chaos as two or three musicians begin soloing simultaneously. Such messiness is actually perfect in keeping with the raw nature of this music; you simply couldn't have it any other way.
I'm Ready is the thirteenth studio album by Chicago blues veteran Muddy Waters. The second of Waters' Johnny Winter-produced albums for the Blue Sky Records label, I'm Ready was issued one year after he found renewed commercial and critical success with Hard Again. The album earned Waters a Grammy Award in 1978.
Recorded in January of 1977 at Montreal’s legendary Rising Sun Celebrity Jazz Club, the record features some of Muddy’s greatest bandmates, including Luther “Guitar Junior” Johnson and “Steady Rollin’” Bob Margolin on guitar, Jerry Portnoy on harmonica, Pinetop Perkins on piano, along with Calvin Jones on bass and Willie Smith on drums. The band are terrific throughout which is why it is no surprise that they, like many others, went on to have outside recognition after playing with Muddy’s band. The standout track is an 11 minute version of the classic, “Kansas City,” in which Muddy shares vocals with Perkins.
Arguably the heaviest bluesman ever, Muddy Waters literally electrified the Chicago blues world with the 1948 release of his first single on Chess Records ("I Can't Be Satisfied"). By taking the Robert Johnson and Son House-inspired acoustic Delta blues that he had played in Mississippi and firing it up with raw amplification, he created the blueprint for generations of Chicago blues players. Bob Margolin played guitar in Muddy Waters' band for seven years in the '70s, absorbing his music first-hand. In this DVD, he shares the secrets of Muddy's solo guitar and ensemble work and covers slow blues, boogie blues, slide guitar and guitar bass lines in standard and open tunings.