Norrington

Roger Norrington, SWR, NDR, Soloists - Johannes Brahms: Ein deutsches Requiem (2015)

Johannes Brahms - Ein deutsches Requiem (2015)
Christina Landshamer, soprano; Florian Boesch bass; Roger Norrington, conductor
NDR Chor, SWR Vokalensemble Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR

EAC | FLAC | Image (Cue&Log) ~ 268 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hänssler Classic | # CD 93.327 | Time: 01:04:24

Among the major choral-orchestral works of the 19th century, Sir Roger Norrington and his former Orchestra, the Radio-Sinfonieorchester Stuttgart des SWR, have tackled over the years, now finally comes Brahms' "German Requiem." one of the most beautiful and popular sacred music works in the repertoire. Brahms’ contemporaries, including his close friend Clara Schumann were moved with the score and were enthusiastic about it - and it has been a favorite with the general public ever since. Although Biblical texts are used, the piece is not in the standard church-liturgical tradition. It was Brahms‘personal response to "those who mourn"! The central idea of this masterpiece is the reality of human existence. It is precisely this „earthly character“ that Roger Norrington uses to shape his interpretation emphasizing the grave beautify of the music and not religious awe; in this, Norrington draws us close to the composer’s intentions. He is ably supported by soprano soloist Christina Landshamer, basso Florian Boesch, SWR Vokalensemble Stuttgart and the NDR.
Steven Isserlis,  Roger Norrington - Joseph Haydn: Cello Concertos in C & D; Sinfonia Concertante (1998)

Joseph Haydn - Cello Concertos in C & D; Sinfonia Concertante (1998)
Steven Isserlis, cello; The Chamber Orchestra of Europe; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: RCA Red Seal | # 09026 68578 2 | Time: 01:15:22

What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.
Roger Norrington, London Classical Players, Schutz Choir - Mozart: Requiem, Ave verum corpus, Masonic Funeral Music (2013)

Wolfgang Amadeus Mozart - Requiem, Ave verum corpus, Masonic Funeral Music (2013)
Nancy Argenta, soprano; Catherine Robbon, alto; John Mark Ainsley, tenor; Alastair Miles, bass
Schütz Choir of London; London Classical Players; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 239 Mb (incl 5%) | Mp3 (CBR320) ~ 138 Mb (incl 5%) | Scans ~ 55 Mb
Genre: Classical, Choral | Label: Virgin Classics | # 50999 7 35296 2 0 | Time: 00:57:45

The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.

Game by Tom Norrington-Davies  eBooks & eLearning

Posted by AlenMiler at April 29, 2015
Game by Tom Norrington-Davies

Game by Tom Norrington-Davies
English | Nov 5, 2009 | ISBN: 1906650101 | 272 Pages | AZW3/EPUB/PDF (conv) | 34 MB

Two of the best food writers working today tackle a subject that has been in need of a definitive and fresh guide for many years. In Game - by Tom Norrington-Davies and Trish Hilferty - the authors share a knowledge on game cooking that is unrivalled in print form.

Classical & Romantic Performing Practice 1750-1900 by Roger Norrington (Repost)  eBooks & eLearning

Posted by thingska at March 21, 2015
Classical & Romantic Performing Practice 1750-1900 by Roger Norrington (Repost)

Classical & Romantic Performing Practice 1750-1900 by Roger Norrington
English | Mar 23, 2000 | ISBN: 0198161654, 0195166655 | 680 Pages | PDF | 28,6 MB
Beethoven: Symphonies Nos. 1 - 9 (Norrington, SWR Stuttgart RSO) [2005]

Sir Roger Norrington: Beethoven Symphonies Nos. 1-9
Radio-Sinfonieorchester Stuttgart des SWR [2005]

EAC+LOG+CUE | FLAC | Artwork | 5% Recovery Info
Label HANSSLER | Country/Year: Germany 2003
Genre: Classical | Style: Romantic | 1.34 GB

The Last Minute - by Stephen Norrington (2001)  Video

Posted by alexov85 at Nov. 1, 2011
The Last Minute - by Stephen Norrington (2001)

The Last Minute - by Stephen Norrington (2001)
DVD5 | English + Russian | MPEG2 | PAL 16:9 | 720x576 | 4700 kbps | AC3 | 48 KHz, 6 ch | ~384 Kbps | 4.38 GB
Subs: Russian | Genre: Drama, Mystery, Thriller

The clock is ticking towards The Last Minute, but no one knows it. No one except Billy Byrne - young, cool and talented, he's the Next Big Thing. At least that's what the London glitterazzi are saying, on the streets, in the clubs, in the Business. But the glitterazzi turn out to be wrong and Billy Byrne is all over in a split second. His world detonates. His self-esteem splinters. Suddenly he's on a rollercoaster ride into the London underworld - a dangerous land of murderers, thieves and talent agents.

W.A.Mozart - Die Zauberflote - Roger Norrington  Music

Posted by pmarkov at July 21, 2010
W.A.Mozart - Die Zauberflote - Roger Norrington

W.A.Mozart - Die Zauberflöte - Roger Norrington
2CD set | APE + CUE + EAC LOG | Cover | 485.2Mb | 72:39 + 66:06 | EMI / Virgin Classics (EU) | 2005
R.Johnson, A.Schmidt, B.Hoch - Schütz Choir of London, LONDON CLASSICAL PLAYERS - Roger Norrington, 1990
Mozart - Idomeneo (Roger Norrington, Ramón Vargas, Magdalena Kožená) [2006]

Mozart - Idomeneo (Roger Norrington, Ramon Vargas, Magdalena Kozena) [2006]
NTSC 16:9 (720x480) VBR Auto Pan&Scan | Italiano (LinearPCM, 2 ch), (DTS, 6 ch) | 7.11 Gb + 5.69 Gb (2*DVD9)
Classical | Label: DECCA | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese | +3% Recovery | 165 min

Mozart's opera seria tells of the King of Crete who is saved from a terrible storm by promising the gods that he sacrifice the first person he meets when reaching land, only to be greeted by his beloved son Idamante. In this Salzburg staging under Sir Roger Norrington Mexican tenor Ramón Vargas sings the title role, with Czech mezzo Magdalena Kozena giving an acclaimed performance as Idamante. Salzburg favourite Anja Harteros is the jealous Elettra, with Ekaterina Siurina as Idamante's beloved Ilia.
Zurich Chamber Orchestra - Sir Roger Norrington - Haydn - The Paris Symphonies (2015) [3CD] {Sony Classical}

Zurich Chamber Orchestra - Sir Roger Norrington - Haydn - The Paris Symphonies (2015) [3CD] {Sony Classical}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 799 Mb | MP3 @320 -> 434 Mb
Full Artwork @ 300 dpi (png) -> 84 Mb | 5% repair rar
© 2015 Sony Music Classical | 88875021332
Classical / Symphony / Viennese School

Sir Roger Norrington is best known for his historically informed performances of Baroque, Classical and Romantic music. On this album he turns his attention - and that of the Zurich Chamber Orchestra - to some of the most popular of Haydn's 104 symphonies. For Parisians prior to the French Revolution, Haydn's symphonies were seen as powerful, innovative works which demonstrated the composer's brilliance and invention. Here, the 30-strong ensemble - tightly drilled by Norrington - clearly demonstrate why they've achieved international importance. Sir Roger brings to these performances the expected solid historical scholarship, to give us a Haydn collection that is dazzling, charming and fascinating.