Val Xavier is a drifter in 1940's Mississippi who brings new life to an Italian immigrant woman trapped in a loveless marriage
This EMI release of The Four Seasons gives violinist Sarah Chang top billing (as would be expected) and the Orpheus Chamber Orchestra a smaller, less significant listing. As far as the quality of performance goes, however, Orpheus should absolutely be considered the star of this recording with Chang getting the footnote instead. This is simply not the case; from the ridiculously posed glamour photos filling the liner notes to the balance of the performance itself, this album is all about Chang. The most fulfilling aspects are the orchestral tuttis. Orpheus is truly at its best here, playing with as much energy and passion as the much ballyhooed recording with the Venice Baroque Orchestra.
M2: Descending into Madness is the second and final solo album by ex-Crimson Glory frontman Midnight, released posthumously…
A document of a 2012 Japanese solo recital – not only the last in his homeland but the last anywhere – by idiosyncratic improviser Masabumi Kikuchi (1939-2015). One of the uncategorisable greats, Kikuchi occupied his own musical universe and in his final years was quietly and systematically severing his ties to jazz, drifting instead towards what he called ‘floating sound and harmonies’, introspective and poetic improvisations. Song forms still sometimes materialized. Kikuchi revisits “Little Abi”, a ballad for his daughter, which the pianist once recorded with Elvin Jones. And there is a surprising and very touching version of the wistfully yearning theme from the 1959 Brazilian film Black Orpheus.