Philosophy of Popular Culture

The Philosophy of Film Noir: The Philosophy of Popular Culture

The Philosophy of Film Noir: The Philosophy of Popular Culture
Audio CDs in MP3 / English: MP3, 64 kb/s (1 ch) | Duration: 10:17:13 | ISBN-10: N/A | ASIN: B00T89U0WM | 2015 | 283 MB
Genre: Philosophy, Cinema, Culture

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.
The Philosophy of Neo-Noir (The Philosophy of Popular Culture) by Mark T. Conard

The Philosophy of Neo-Noir (The Philosophy of Popular Culture) by Mark T. Conard
English | Jan 5, 2007 | ISBN: 0813124220 | 222 Pages | PDF | 1 MB

Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe.
The Philosophy of Film Noir (The Philosophy of Popular Culture) by Mark T. Conard

The Philosophy of Film Noir (The Philosophy of Popular Culture) by Mark T. Conard
English | Jan 27, 2005 | ISBN: 0813123771 | 266 Pages | PDF | 2 MB

A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact.

The Philosophy of J.J. Abrams (The Philosophy of Popular Culture)  eBooks & eLearning

Posted by Bayron at Sept. 17, 2014
The Philosophy of J.J. Abrams (The Philosophy of Popular Culture)

The Philosophy of J.J. Abrams (The Philosophy of Popular Culture) byRobert Arp, Patricia Brace
English | 2014 | ISBN: 0813145309 | 380 pages | PDF, EPUB | 2 MB, 2 MB

The Philosophy of Ang Lee (The Philosophy of Popular Culture)  eBooks & eLearning

Posted by Bayron at Sept. 17, 2014
The Philosophy of Ang Lee (The Philosophy of Popular Culture)

The Philosophy of Ang Lee (The Philosophy of Popular Culture) by Robert Arp, Adam Barkman
English | 2013 | ISBN: 0813141664 | 312 pages | PDF | 5 MB

Golf and Philosophy: Lessons from the Links (The Philosophy of Popular Culture)  eBooks & eLearning

Posted by Bayron at Sept. 17, 2014
Golf and Philosophy: Lessons from the Links (The Philosophy of Popular Culture)

Golf and Philosophy: Lessons from the Links (The Philosophy of Popular Culture) by Andy Wible
English | 2010 | ISBN: 0813125944 | 426 pages | PDF, EPUB | 2 MB, 352 KB
The Philosophy of Martin Scorsese (The Philosophy of Popular Culture) (repost)

The Philosophy of Martin Scorsese (The Philosophy of Popular Culture)
Publisher: The University Press of Kentucky | ISBN 10: 0813124441 | 2007 | PDF | 280 pages | 2.5 MB
Perry Meisel - The Myth of Popular Culture: From Dante to Dylan [Repost]

Perry Meisel - The Myth of Popular Culture: From Dante to Dylan
2010 | ISBN: 1405199334, 1405199342 | English | 217 pages | PDF | 1.5 MB
The Great American Songbooks: Musical Texts, Modernism, and the Value of Popular Culture

The Great American Songbooks: Musical Texts, Modernism, and the Value of Popular Culture (Modernist Literature and Culture) by T. Austin Graham
English | 2013 | ISBN: 0199862117 | 320 pages | PDF | 2,2 MB
An Introduction to Theories of Popular Culture (Repost)

Dominic Strinati, "An Introduction to Theories of Popular Culture"
English | 2004 | ISBN: 0415235006 | PDF | pages: 310 | 1,5 mb