Hailed by the Philadelphia Inquirer as, ''The most intellectually and vocally gifted male art-song interpreter of his generation,'' baritone Matthias Goerne presents the eighth volume in his ongoing Matthias Goerne Schubert Edition for harmonia mundi. The featured work is Schubert's setting of Goethe's two-part poem Wanderers Nachtlied. A renowned Schubert interpreter, Goerne is renowned worldwide for his complete commitment to the composer and text. On this new 2-CD set he is joined by two exceptional collaborators, pianists Helmut Deutsch and Eric Schneider.
Ever since Beethoven wrote his last piano sonata and called it "Opus 111", the number 111 has enjoyed certain kudos in musical circles, and 2009 marks the 111th anniversary of Deutsche Grammophon.
Over 11 decades, the label's philosophy has always been “the greatest recordings by the greatest artists in the world” and now they showcase this with this incredible 55 CD box set.
The album Schubert Impromptus by Arthur Jussen and Lucas Jussen has been listed for 22 weeks on the Dutch Albums Top 100. It entered the chart on position 4 on week 39/2011, it's last appearance was on week 4/2013. It peaked on number 4, where it stayed for 2 weeks.
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer.
Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. Appreciation of his music during his lifetime was limited, but interest in Schubert's work increased dramatically in the decades following his death at the age of 31. Franz Liszt, Robert Schumann, Johannes Brahms and Felix Mendelssohn, among others, discovered and championed his works in the 19th Century. Today, Schubert is admired as one of the leading exponents of the early Romantic era in music and he remains one of the most frequently performed composers.
Franz Schubert never achieved the success as a composer for the stage that the aspired to, and even since his genius has been fully recognized, his dramatic works have not found their way into the repertoire. This is due not so much to the quality of the music, which is often very high, but to the fact that Schubert devoted himself to a form, thesingspiel, which wasn't quite an opera, but a play with interpolated musical numbers that fell quickly out of style and has never made a popular comeback. Several Mozart singspiele, particularly Die Entführung aus dem Serail and Die Zauberflöte, have remained in the repertoire due to the large percentage of musical numbers they contain, their dramatic appeal, and their extraordinary music, criteria that Schubert's work doesn't meet.
La Bruchollerie was born in Paris. She came from a family of musicians, both François-Adrien Boieldieu and André Messager being among her ancestors. At the age of 7 she entered the class of Isidor Philipp (a friend of her parents) at the Paris Conservatoire, which she left in 1928 with a first prize. After that she was a pupil of Alfred Cortot in Paris, of Emil von Sauer in Vienna and of Raoul von Koczalski in Berlin. A concert she gave in 1932 under the baton of Charles Münch brought her breakthrough as a pianist. Between 1936 und 1938 she went on to take part in more piano competitions, above all in the Chopin Competition of 1938 in Warsaw and the 1939 Brussels Competition.
Deluxe edition includes two bonus tracks. 2016 album from the acclaimed jazz artist. Esperanza Spalding presents Emily's D+Evolution, a rekindling of her childhood interest in theater, poetry and movement, which delves into a broader concept of performance. Taking a new approach to her on-stage persona, the remarkable Spalding taps into new creative energy, delivering musical vignettes inspired during a "sleepless night of full moon inspiration." As she puts it, "Emily is my middle name, and I'm using this fresh persona as my inner navigator. This project is about going back and reclaiming un-cultivated curiosity, and using it as a compass to move forward and expand. My hope for this group is to create a world around each song, there are a lot of juicy themes and stories in the music. We will be staging the songs as much as we play them, using characters, video, and the movement of our bodies".
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…