This well recorded disc from 1985 delivers impressive readings of both of these works. Mullova takes a very individual view of these concertos and has the technical assurance to communicate her view with compelling certainty.
The Tchaikovsky concerto is played in the full uncut version that was written by the composer. This is now becoming more common but in 1985 was still unusual enough to warrant comment. By playing the notes as Tchaikovsky had intended Mullova signals a very serious intent which she carries out throughout these two concertos.
The Finnish conductor Osmo Vänskä, music director since 2003 of the Minnesota Orchestra, long ago proved himself a formidable interpreter of Nordic music in general and Sibelius in particular. This symphonic cycle – two highly praised discs are already out – is now complete, with this album of the pliant, classical Symphony No 3, the little known and underrated No 6 and the mysterious, enthralling single-movement No 7. The playing is polished and detailed, now springy and buoyant, now occluded and chilling. Tempi are slightly broad but convincingly so. From the plunging energy of the opening of the Third Symphony to the bleak, raw ending of the Seventh, this is a gripping listen.
British orchestras and their audiences have long held a special affinity for the orchestral works of Jean Sibelius, and the Hallé's venerable tradition of playing his music continues in this superb recording of the Symphony No. 5 in E flat major, the Symphony No. 7 in C major, and the symphonic poem En Saga. Mark Elder's straightforward interpretations are clear-headed and meticulous yet intensely passionate, and the orchestra responds to his direction by digging deep and playing with a commitment that is nearly perceptible. These symphonies and En Saga are representative of Sibelius' mature style, so their deliberate pacing and steady unfolding of motives into organic developments over long time spans require attentive listening, but the clarity of Elder's readings makes the progress of the music easy to follow. Add to this the exceptional reproduction, which brings out every detail with crispness, and presents the Hallé's warm and rich sonorities with credible presence, and the end result is a nearly ideal presentation of Sibelius' music.