One of America's most renowned bluegrass musicians imparts wisdom and advice based on decades of experience playing in bands from Bill Monroe an d the Blue Grass Boys to Old And In The Way. With Peter Rowan's help, you'll improve your lead singing and establish an authentic bluegrass guitar sound. Peter's invaluable tips on breathing, phrasing, vocal improvisation, and his exercises to increase your power and range, will help you excel as a lead singer. His guitar accompaniment techniques show you how to back up your singing wiht a strong sense of time, add bluegrass style bass.
These works of Sally Beamish, composed 2003-12, highlight the inspiration she has found in her adopted homeland Scotland and its landscape and history, while also reflecting her interest in jazz and Scottish traditional music. Often collaboration closely with her performers, the present discs the three concertante works are all played by the eminent soloists for whom they were written: James Crabb, Branford Marsalis and Håkan Hardenberger. Conductor Martyn Brabbins and the RSNO, an ensemble that has performed her works on several occasions, join the former two soloists.
When Joe signed with Vanguard as a solo artist in-late 1969, after the Woodstock Festival, it was apparent that Vanguard wanted an album release as soon as possible. Joe had always wanted to do an album of Woody Guthrie songs he and Sam Charters worked out a schedule that got Joe to Nashville for the recording.
Van Morrison does exactly what he wants, when he wants, and continually mines the past no matter the cost. It's been four years since the Celtic soulman issued a collection of new, original studio material (Born to Sing: No Plan B), but given the music, it could have been yesterday. Morrison has no interest in innovation, he's already done that. The pace here is (mostly) laid-back, the music drenched in jazz, R&B, blues, and classy pop. He revels throughout in an elegant slow burn; his lyric themes are bittersweet, melancholic, filled with emotional and symbolic memory; his longing for the previous prevalent. The first line on album-opener "Let It Rhyme" is: "Throw another coin in the wishing well/Tell everybody to go to hell…" atop skeins of country and R&B as he reveals his recalcitrance…