Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Recorded at the Cafe Praga, Bologna, Italy, Dec 4,5,6 1990. Although he started out playing in fusion-oriented settings, Steve Grossman developed into an excellent hard bop tenor in the tradition of Sonny Rollins (although he developed his own sound). Grossman originally started on alto when he was eight, added soprano at 15, and tenor at 16. He started at the top as Wayne Shorter's replacement with Miles Davis, playing in his fusion group from late 1969 up to September 1970. Grossman was with Lonnie Liston Smith in 1971, spent a valuable period (1971-1973) as part of Elvin Jones' group, and in the mid-'70s was with Gene Perla's Stone Alliance. Steve Grossman has mostly led his own bands ever since, recording as a leader for such labels as P.M., Owl, Red, and Dreyfus.
None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. An overlooked gem from reedman Sam Rivers – and a set that's surprisingly soulful, given that most of his other work from this stretch is much more outside! The album's got a laidback groove on most numbers – with rhythm from Daryll Thompson on guitar, Rael Wesley Grant on bass, and Steve McCraven on drums – often in this midtempo mode that has the electric currents providing a subtle bounce, which opens up as Rivers solos on tenor, soprano sax, and flute! The style's a few steps down from funky fusion, but not that far away, either – and Sam proves to be an expressive soloist in the setting, in ways we really wouldn't have expected. Titles include "Swirl", "Chant", "Coral", "Lazuli", "Ripples", "Dandelions", "Devotion", "Beatrice", and "Sprung".
Until now, the official recordings of Miles Davis' performances at the Fillmore East between June 17 and 20, 1970 have been limited to the double album Miles at the Fillmore. That set's producer Teo Macero, edited the recordings to create medleys of each night's music to four roughly 20-minute selections. This four-disc set contains all four concerts. There are 100 minutes of previously unreleased music from Wednesday through Saturday; an additional 35 minutes of unreleased music comes from a previous gig at the Fillmore West.
On 10 July 1991, barely two months before his death, Miles played a remarkable concert at La Villette in Paris. It was remarkable because Miles did something he normally avoided: looking back.
Reissue with the latest DSD remastering. Comes with liner notes. Beautiful work from trumpeter Terumasa Hino – an early 80s date that was issued in the US, but one that's got as much bold power and freewheeling soul as his Japanese releases from a decade before! The album's surprisingly open for the time – not in the slicker mode that Columbia was hitting as they crossed over some of their 70s fusion players, but in spacious territory that has Hino blowing cornet, in larger arrangements from keyboardist Masabumi Kikuchi and Gil Evans – the latter of whom seems to contribute a strong sense of color and tone to the album! The lineup is great, too – and features both Herbie Hancock and Kenny Kirkland on keyboards, Steve Grossman on reeds, Harvey Mason and Lenny White on drums, Anthony Jackson on bass, and Airto on percussion.