Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States.
Following two albums with a reconstituted L.A. Express, Bluestreak and Smokin' Section, Tom Scott returns to solo frontman duties on his Higher Octave Jazz debut, New Found Freedom, but he does so with a large number of guests. Those guests help broaden the styles of music available on the release, although Scott's own saxophone work remains a touchstone and everything on the disc will be easily programmable on smooth jazz radio. Indeed, the variety gives programmers many choices. Craig Chaquico, a fellow veteran of the 1970s rock scene and now a labelmate, joins Scott with some characteristic acoustic guitar work on the becalmed opener, "Feelin' It," after which adult contemporary singer Ann Nesby croons "You Are My Everything" while Billy Preston joins in on organ.
Václav Jan Krvtitel Tomásek wrote numerous songs and short piano pieces, genres in which his works predate those of his rather more famous near contemporary Franz Schubert by some years. Quite why they are so neglected today is a mystery as this enthralling new album from Renata Pokupic' and Roger Vignoles unfolds twenty-eight songs of a rare appeal. Perhaps we should not be surprised: Tomáek was one of the very few composers of Goethe settings to meet with the great poet's (relatively) undivided approval.