One of the most electrified of Grover Washington, Jr.'s albums, this Columbia set features the popular saxophonist (who plays soprano, alto and tenor) joined by oversized rhythm sections and plenty of keyboards on a variety of funky and danceable material.
Eddie Henderson's lovely flugelhorn colors the opening track, "E Preciso Perdoar (One Must Forgive)," setting the mood for a very mellow set. Washington, accompanied by six pieces, plays the standards straighter than Johnny Mathis sings them; everything is ratcheted down '40s-ish/'50s-ish cozy nightclub style.
Grover Washington, Jr.'s first album in three years (and debut for Columbia) did not yield any major hits but found him playing in prime form. Switching between his distinctive soprano, alto and tenor, Washington is joined by bassist-producer Marcus Miller, a large rhythm section and guest vocalists B.B. King ("Caught A Touch Of Your Love") and Jean Carne (on two songs). Highlights include "Strawberry Moon," "The Look Of Love," "Maddie's Blues" and "Summer Nights."
"Skylarkin'" was jazz saxophonist, Grover Washington Jr's final release with Motown Records. The session group featured well respected musicians who are legends today….Marcus Miller on bass, Eric Gale on guitar, Steve Gadd on drums, and Richard Tee on piano and keyboards. The album also featured Grover Washington Jr's signature sound that transcended various musical genres. His phrasing and harmonic sound has been an influence that is still prevalent today. Grover Washington Jr's music elevates the spirit with cool melodies and rhythms that shine with each composition.
Grover Washington, Jr., has long been one of the leaders in what could be called rhythm & jazz, essentially R&B-influenced jazz. Winelight is one of his finest albums, and not primarily because of the Bill Withers hit "Just the Two of Us." It is the five instrumentals that find Washington (on soprano, alto, and tenor) really stretching out. If he had been only interested in sales, Washington's solos could have been half as long and he would have stuck closely to the melody. Instead he really pushes himself on some of these selections, particularly the title cut. A memorable set of high-quality and danceable soul-jazz.
One of the most popular saxophonists of all time, Grover Washington, Jr. was a pacesetter in his field. With roots in rhythm and blues and soul-jazz organ combinations, he also played straight-ahead jazz. A highly influential player, Washington pushes himself with the spontaneity and chance-taking of a masterful jazz musician.A renowned live performer, Washington is able to display his own personal voices on soprano, tenor, alto and even his infrequently used baritone sax.