Foundling - the stunning new effort by internationally acclaimed singer-songwriter David Gray – begins with those evocative and somewhat mysterious words. What follows is an extraordinary song cycle of rare and timeless power that bears a rather fitting title. As people today may or may not remember, the word "foundling" is defined as "an infant found after its unknown parents have abandoned it." And as Gray puts it with a warm laugh, "Foundling sort of arrived at my door without my asking it to, so it felt very appropriate for this album."
More than just a phenomenal show, David Gray: Live at the Point captures this acclaimed singer at the moment of transition from well kept secret to award-winning, platinum selling success, singing to 9000 fans that packed the Point in Dublin, this is both a powerful yet intimate show. Featuring songs from all five of David Gray's Albums, it includes the hit singles 'Babylon' and 'Please Forgive Me'. Filmed on location in Ireland, this DVD follows David Gray and his band on their hugely successful Irish tour that culminated in the sell-out show at Dublin's Point.
Unlike most genre superstars, David Benoit never seems content to stick strictly with any pop formula for very long. While his hummable ivory spirit always shines through, his many attempts to shake and stir the typical expectations make him perhaps the most artistic pop jazz artist around. Shaken Not Stirred is thus an appropriate moniker for this wildly eclectic collection, which makes overwhelmingly effective use of orchestral grandeur (the enrapturing "Carmel"), and comes across more as a smashing musician's playground than a lightweight, radio friendly stab. he treads just enough familiar territory to keep old fans pleased but enjoys experimenting with percussive explosions, wild jamming, and traditional smoky club blues.
This compilation of 39 tracks, rather arrogantly titled The Album, offers a good mix of current guitar-based pop, rock and indie with the bonus of Fatboy Slim's housey "Star 69" and Roni Size's "Dirty Beats" tacked on the end. This is the sort of album you could expect to hear down the student union bar with a range of songs to cover all bases for even the most fussy of compilation critics. CD2 holds the indie-rock lighter in the air with Coldplay's "Trouble" and David Gray's "Late Night Radio" sandwiched between tracks by likely lads Supergrass ("Movin'") and Blur ("Coffee & TV"). Less obvious inclusions are alt.country masters Grandaddy ("The Crystal Lake") and gentle folkies the Kings of Convenience ("Toxic Girl"). CD1 is the less easy-listening of the two with some rock guitar riffing from the Manics ("You Stole The Sun…"), JJ72 ("Oxygen") and perfectly hip Placebo's "Taste In Men". If you're not into dance and the latest compilation from clubland isn't your cup of tea, then this could well be The Album before a good night out.
This 1980 recording is an excellent example of David Sanborn's music. The highly influential altoist is joined by familiar studio veterans (including guitarist Hiram Bullock and drummer Steve Gadd) with bassist/composer Marcus Miller being a key figure in creating the funky rhythms and colorful backgrounds. Miller, who shared the writing chores with Sanborn, not only contributed his powerful bass, but backed the altoist during a duet version of "Just for You" on piano. Easily recommended to fans of R&B-ish jazz.
To celebrate the legendary David Oistrakh, for many, one of the greatest violinists ever, Deutsche Grammophon presents a 22-CD box set which brings together for the first time all his recordings for DG, Decca, Philips & Westminster/Melodiya.
This is an electrical and fantastic soundtrack of the wonderful fantasy movie of 1986, starring Jennifer Connoly and DAvid Bowie, Labyrinth. From start to finish it is electrical and rich in fantasty rock and some electronic instrumental music too. This album includes the beautiful song of loneliness and hope, Underground, the catchy and super Magic Dance, the fun and cheeky Chilly Down, the gentle As The Wall Falls Down and the romantic Within You. This album was proof that Bowie was still one of the greatest talents of the musical world by 1986, and had lost none of his ability to create beautiful and enchanting music.