I was definitely not prepared for the utter charm and simplicity of these wonderful songs, grouped together on disc for the first time. Lortzing's melodies are easy on the ear and the Neue Detmolder Liedertafel are a crack group of singers, injecting their own characteristic charm into the music. (…) You can't really put a plug on this one, listening over and over again always increases the enjoyment. Just go ahead and buy it!
Albert Beger's 5's Listening, released in 2004 on the Earsay label and following on from his trio album Hevel Havalim sees Beger in the relative safety and comfort of a quintet. In addition to Beger on tenor and soprano, the double frontline sees him teamed up with Yoni Silver - a long time collaborator of Israeli free jazz legendary pioneer Harold Rubin - on alto and bass clarinet (and organ). The rhythm section comprises guitarist Yiftach Kadan, Bass stalwart Gabriel Meyer and drummer Hagai Fershtman. The latter two are left from the previous trio.
Peacemaker is the name of Albert Beger's new creation. It is also a way of life for the experienced, innovative, free-jazz cult hero.
The new album is an open invitation, a possibility for an individual to take a deep, thorough look inside and have a self examination. It is an opportunity to restart, and make the little amendments in the world, using the big values of men.
The new Stax Classics series celebrates the iconic label's greatest stars, offering new liner notes, label discographies and 12 choice cuts from the artists' Stax catalog. This collection highlights one of the most influential bluesmen in history, Albert King, who single-handedly ushered blues into the modern era by combining his direct, urgent Mississippi blues style with contemporary soul rhythms, continually redefining the state of the genre. During his nine years on the label, the prolific artist released dozens of innovative hits and became one of the few blues artists to break through to the young, white rock crowd, influencing many of the biggest rock stars of the 60s and 70s, including Jimi Hendrix and Eric Clapton. This album includes such classics as 'Crosscut Saw,' 'Born Under a Bad Sign,' and 'Breaking Up Somebody's Home.'
Band on the Run is the third studio album by Paul McCartney and Wings, released in December 1973. It marked the fifth album by Paul McCartney since his departure from the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles - "Jet" and "Band on the Run" - such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works. In 2000, Q magazine placed it at number 75 in its list of the "100 Greatest British Albums Ever". In 2012, Band on the Run was voted 418th on Rolling Stone's revised list of "The 500 Greatest Albums of All Time".
Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler – and there is quite a bit of filler – rather ingratiating. Only a handful of songs rank as full-fledged McCartney classics, but those songs – the light folk-pop of "That Would Be Something," the sweet, gentle "Every Night," the ramshackle Beatles leftover "Teddy Boy," and the staggering "Maybe I'm Amazed" (not coincidentally the only rocker on the album) – are full of all the easy melodic charm that is McCartney's trademark…