Bach Herreweghe

Bach - Herreweghe - Motetten (2011)  

Posted by luckburz at July 21, 2012
Bach - Herreweghe - Motetten (2011)

Johann Sebastian Bach - Motetten
Collegium Vocale Gent / Philippe Herreweghe
EAC+LOG+CUE | FLAC: 278 MB | MP3 CBR 320: 146 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Phi # LPH002 | Country/Year: Europe 2011
Genre: Classical | Style: Baroque, Vocal, Sacred

…These are terrific performances. The single voices or very small choir produce crystal clear textures, and this transparency combined with fine intonation and excellent ensemble produce a really memorable disc.
Philippe Herreweghe - Philippe Herreweghe: A Conversation with Camille De Rijck (2017)

Philippe Herreweghe - Philippe Herreweghe: A Conversation with Camille De Rijck
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 349:04 min | 1.37 GB
Label: Phi | Tracks: 66 | Rls.date: 2017

Happy 70th birthday, Philippe Herreweghe!
In a series of interviews with Camille De Rijck, Philippe Herreweghe sums up his musical trajectory by offering the reader his reflections, intermingling musical and personal considerations. A selection of archive illustrations to delight the eyes and an updated biography complete the contents of the book, which is published in four languages (English, French, German and Dutch). A five-disc compilation of extracts chosen and discussed by the conductor himself provides an musical counterpoint to the text. The selection enables you to explore a whole life through the finest works of such composers as Lassus, Schein, Bach, Beethoven, Mahler, Dvořák and Stravinsky.
Collegium Vocale Gent, Philippe Herreweghe - J.S.Bach: Ich elender Mensch & Leipzig Cantatas (2014) [Official Digital Download]

Collegium Vocale Gent, Philippe Herreweghe - J.S.Bach: Ich elender Mensch & Leipzig Cantatas (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 68:15 minutes | 1.17 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

For the second time on the Phi label, Philippe Herreweghe presents four Bach cantatas written during the first year the composer spent in Leipzig. In relation to the repertoire composed in Weimar, the instrumentarium is enlarged to adapt to the size of the churches of Saint Thomas and Saint Nicholas. But, above all, the instrumental virtuosity is much greater, as are the vocal demands confronting the choirs and solo singers, trained at the time by Bach himself.
Collegium Vocale Gent, Philippe Herreweghe - J.S.Bach: Ach Susser Trost! Leipzig Cantatas (2012) [Official Digital Download]

Collegium Vocale Gent, Philippe Herreweghe - J.S.Bach: Ach Susser Trost! Leipzig Cantatas (2012)
FLAC (tracks) 24-bit/88.2 kHz | Time - 67:10 minutes | 1.03 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The four cantatas selected by Philippe Herreweghe for this recording date from the first year of Bach s activity in Leipzig. Written at a tight pace between late July and early September 1723, they underscore the composer s obvious effort to establish original musical proposals. He continually showed musicians and listeners that he was not serving them routine cantor s music, but was writing sacred music as a true Kapellmeister. In this first volume of Bach cantatas for the PHI label, the Collegium Vocale Gent interprets some of the cantatas for the first time.
Philippe Herreweghe, Collegium Vocale Gent - Beethoven: Missa Solemnis (2013) [Official Digital Download 24/44]

Philippe Herreweghe, Collegium Vocale Gent - Beethoven: Missa Solemnis (2013)
FLAC (tracks) 24-bit/44.1 kHz | Time - 75:17 minutes | 729 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Collegium Vocale Gent and Orchestre des Champs-Elysées interpret Beethoven's Missa Solemnis for PHI. This major work of the sacred repertoire, high on the list alongside Bach's Mass in B minor and the Mozart Requiem, is Beethoven's longest work and assuredly the one that demanded the most work. The composer even considered the Mass his finest work. Philippe Herreweghe shares this opinion and judges the Missa Solemnis to be one of the apogees in the history of classical music. With four superb soloists, a refined chorus and orchestra, Philippe Herreweghe invites us to a thoroughly transcendental experience.
Bach - Solo Cantatas for alto, for bass; German Cantatas before Bach (Philippe Herreweghe) (2010)

Bach - Solo Cantatas for alto, for bass; German Cantatas before Bach (Philippe Herreweghe) (2010)
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 805 MB
Classical | Harmonia Mundi | HML 5908372.74 | 03:15:20

Philippe Herreweghe is widely considered to be one of the foremost Bach interpreters of our time. This four deluxe CD-Book collection is part of the Philippe herreweghe Bach Edition, and features key works from the Bach canon. Each set in the series is available at a very special low price and features packaging and liner-notes on a par with the best that harmonia mundi offers. These sets are a rare bargain and a must-have for collectors…
Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]

Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 814.37 MB
Classical | Harmonia Mundi | HML 5908360.62

There is no doubt that the forces Herrweghe has employed here are some of the best in the 'Passion' business. Aside from this, however, one cannot eliminate the fact that there are several other notable recordings of this work that stand on their own merit, which for the most part are as 'good' or as 'bad' as this one. The three that I own which includes this one(all reviewed by me on Customer reviews) are: Gardiner's 1988 recording with the outstanding Monteverdi Choir that sparkles and shines as only they can; the 1994 Cleobury King's College Choir recording, whose soloists are superb etc. etc. etc. So it all really amounts to what YOU hear and what turns YOU on!

Kuhnau, Zelenka, Bach: Magnificat (Repost)  Music

Posted by First Amendment at Jan. 23, 2011
Kuhnau, Zelenka, Bach: Magnificat (Repost)

Kuhnau, Zelenka, Bach: Magnificat (Suzuki)
EAC Rip | FLAC+LOG+CUE | Booklet & Covers | RAR 317MB
CD | Classical | 1999 | Bis | Playing Time: 68'56"

In the early 1730s Bach revised his E flat major Magnificat of 1723, transposing it to D major and omitting the interpolations peculiar to Christmas performances in Leipzig. (Recent research suggests such richly scored Latin Magnificats could be performed in Lutheran churches at some 15 annual festivals, not just the three – Xmas, Easter, Ascension – previously supposed.)

Jean Rondeau - Dynastie: Bach Family Concertos (2017)  Music

Posted by Designol at May 27, 2017
Jean Rondeau - Dynastie: Bach Family Concertos (2017)

Jean Rondeau - Dynastie: Bach Family Concertos (2017)
Johann Sebastian - Carl Philipp Emanuel - Wilhelm Friedemann - Johann Christian

EAC | FLAC | Image (Cue&Log) ~ 404 Mb | Artwork included | Time: 01:16:18
Genre: Classical | Label: Erato | # 0190295888466

With his 2017 release on Erato, Jean Rondeau illustrates the beginnings of the harpsichord concerto, which can be traced from the Baroque masterpieces of Johann Sebastian Bach through the early Classical period, represented here by works of his sons, Carl Philipp Emanuel Bach, Wilhelm Friedemann Bach, and Johann Christian Bach. While this celebrated musical dynasty contributed to many forms in the 18th century, the keyboard concerto was given a special, innovative treatment by the Bachs, who effectively put the genre on the map.
Ensemble Alia Mens & Olivier Spilmont - J. S. Bach: Weimar Cantatas (2017) [Official Digital Download 24/96]

Ensemble Alia Mens & Olivier Spilmont - J. S. Bach: Weimar Cantatas (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 54:51 minutes | 1.00 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The group of Weimar cantatas is exciting on many levels. The purpose Bach expressed in his Mühlhausen resignation letter – which became a master beam of the musical edice he built throughout his life – is expressed with an even more seminal vigour, due to the restrictions it suffered previously. Besides the beauty of the surviving works, which renders the loss of the missing ones all the more bitter, it is moving to see the musician engage, with each new piece, in experiments with form, ideas, and the language for expressing the word of God through the most sensitive possible texts. The choice of developing themes dear to him enabled him to afirm and deepen his faith.