On 1977's A Farewell to Kings it quickly becomes apparent that Rush had improved their songwriting and strengthened their focus and musical approach. Synthesizers also mark their first prominent appearance on a Rush album, a direction the band would continue to pursue on future releases…
Cardboard sleeve, digitally remastered re-release of Big Star's last album featuring all of their original members. Cardboard sleeve (mini LP) replicates original LP artwork with obi strip, printed inner and lyric sheet in Japanese & English. After Big Star released Radio City, they fell apart, leaving Alex Chilton to record in 1975 what was later released as 3rd (aka Sister Lovers). The album is strikingly different from everything Chilton created before or after. With pained outpourings such as the haunting "Holocaust," it holds its own against rock's greatest monuments to existential angst, from Tonight's the Night to Bryter Layter. It also ranks alongside the Beach Boys' SMiLE as perhaps the only "classic" album with no set sequence. (Chilton never bothered to sequence it because, upon its completion, no label wanted to release it.) It finally came out four years later, and since then, while it has appeared on several labels, no two have used the same track order.
A Farewell To Kings spawned the band’s first commercially successful radio hit “Closer To The Heart” & will see a 40th anniversary release. The original album’s 2015 remaster by Abbey Road Mastering Studios is featured for the first time on CD. The Hammersmith Odeon February 1978 show is now available for the first time as a complete concert, newly mixed by Terry Brown. Additional bonus tracks includes four cover songs from Dream Theater, Big Wreck, The Trews & Alain Johannes along with a studio outtake of the spacey sound effects from “Cygnus X-1” called “Cygnus X-2 Eh”. 40th anniversary package receives brand new cover art along with new illustrations for each song by Hugh Syme & 12,000 word liner notes by Rob Bowman.
With their ringing, bagpipe-like guitars and the anthemic songs of frontman Stuart Adamson, Scotland's Big Country emerged as one of the most distinctive and promising new rock bands of the early '80s, scoring a major hit with their debut album, The Crossing; though the group's critical and commercial fortunes dimmed in the years to follow, they nevertheless outlasted virtually all of their contemporaries, releasing new material into the next century.