The gigs and shows played by the Ramones between 1977 & 1980 were perhaps the finest they ever performed. Despite having, during their 22 year career, played live over 2000 times - more than The Grateful Dead ever did, and without all the hoo-ha - it was the three years following the release of the group s debut album on the Sire label (issued in February 1976) that their most electric, dynamic and passionate live appearances took place. The recording and release of The Ramones had instilled a communal confidence in the group and this translated into making their shows less chaotic, somewhat longer and certainly featuring a lot more new material than had ever surfaced prior to the album coming out.
The Hunter is the sixth studio album by American band Blondie, released in May 1982. It was Blondie's last album of new material until 1999's No Exit. It was recorded in the fall of 1981 and January and February 1982.
Guitarist Rory Gallagher never wanted to be a star. He only wanted to make music on his own terms and have the opportunity to play that music for an audience who would genuinely appreciate it. Watching the double DVD set Ghost Blues and The Beat Sessions illustrates the Irish-born blues-rocker's success on those terms he set for himself so emphatically, and to which he remained loyal throughout his career.
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
This Fantasy 2001 two-fer reissue features saxophonist Eddie "Lockjaw" Davis in session with a quintet that includes the Shirley Scott trio (Scott, organ; George Duvivier, bass; Arthur Edgehill, drums) and conga player Ray Barretto. It was released as Eddie Lockjaw Davis Meets Shirley Horn as Moodsville 30 in 1960. With the exception of a quartet recording released on Stompin' (Prestige 7456), the rest was another quintet with pianist Horace Parlan, drummer Art Taylor, Buddy Catlett on bass, and Willie Bobo on conga, issued as Goin' to the Meetin' in 1962 as Prestige 7242.