This recording chronicles the live performances of Bruford Levin Upper Extremities from 1998. The disc showcases the band's unique blend of jazzy modes with Crimson-esque textures and, occasionally, just plain weirdness. Many of the tracks become looser jams in the live performance. For those who saw this tour, the disc will be a great memento. For those who didn't, it will serve as a shining example of what they missed, and encouragement to be more careful not to pass up subsequent tours. The band is Tony Levin, Bill Bruford, Chris Botti, and David Torn.
Bruford Levin Upper Extremities is the band formed by Bill Bruford and Tony Levin in 1998. Both musicians first came together in King Crimson in the early '80 and had extremely distinguished careers before meeting up in Crimson. Bruford Levin Upper Extremities or B.L.U.E. as they became known recorded two albums, one self titled studio album released in 1999 and a live album entitled Blue Nights released in 2000. The band was filled out by David Torn and Chris Botti and the music the band performed was an intriguing mix of Jazz and Rock. Blue Nights is the companion album to the studio debut from B.L.U.E. The album was recorded in 1998 and includes live version of a number of songs from the debut studio album including 'Cerulean Sea', and 'Original Sin'. There are also a number of songs that appear only on this album.
While the music made by Bill Bruford's earlier Earthworks band was consistently more interesting, his current lineup continues to make great strides given its more traditional stance (post-bop acoustic piano/saxophone quartet verses ultra-modern Euro-jazz fusion). On the live Footloose and Fancy Free, the group exceeds its own studio performances with room to spare. The lovely ballad "Come to Dust" is a fine showcase for pianist Steve Hamilton, and Bruford's punchy drumming moves a complex "Triplicity." Even non-Earthworks tunes from Bruford's late-'90s collaborations with Tony Levin ("Original Sin") and Ralph Towner ("If Summer Had Its Ghosts") get inspiring interpretations as well, thanks to the well-seasoned playing of both tenor/alto saxophonist Patrick Calahar and Hamilton.
Bill Bruford and Tony Levin, two very well known prog musicians, formed BRUFORD LEVIN UPPER EXTREMITIES for a while, which was a fusion band. They put out two albums, a self-titled and a live album called "Blue Nights." David Torn and Chris Botti were the other two members of the band.
Bruford Levin Upper Extremities (B.L.U.E.) was a musical group composed of drummer Bill Bruford, bassist Tony Levin, guitarist David Torn, and trumpeter Chris Botti.This rip is lossless debut for the net.
The Steve Howe Album is the title of Yes guitarist Steve Howe's second solo album. It was released in 1979. The album featured current (Alan White) and former (Bill Bruford and Patrick Moraz) Yes band members.
Beginnings is the title of Yes guitarist Steve Howe's first solo album. It was released in 1975. The five Yes band members each released a solo album in 1975/6. Members Alan White and Patrick Moraz from that line-up guest on Beginnings, while Howe performed on White's Ramshackled album. The album also features former Yes band-member and drummer Bill Bruford on "Pleasure Stole the Night" and "Break Away From It All". There are also members of the English medieval progressive rock band Gryphon, Graeme Taylor, Malcolm Bennett, Dave Oberlé on one of the songs.
The Liquid Tension Experiment Box Set is the ultimate souvenir of Liquid Tension Experiment's 10th Anniversary Reunion Tour. Included in this deluxe package are both the NYC and LA shows in their entirety (on both CD and DVD), as well as the Liquid Trio Experiment 2 CD and two items that are exclusive to this set and will not be available separately: Live In LA on Blu-ray Disc and a bonus CD of all of the improv jams from the other LTE 2008 shows.
Anderson Bruford Wakeman Howe is the only studio album by four alumni of the progressive rock group Yes: Jon Anderson, Bill Bruford, Rick Wakeman, and Steve Howe, released on 20 June 1989 for Arista Records.
"Big Face" is the third release from the neo-prog band The D-Project. The D-Project plays a form of classic neo-prog that is showcased by bright uplifting riffs that mark the sign of a great understanding of musicality within the group. Also, there is always a slight hint of Pink Floyd without their music, whether it is in the vocals or in the guitar riffs that are scattered throughout the album.