The young Kissin was able to work wonders in Prokofiev–above all the Sixth Sonata (Kissin in Tokyo - Yevgeny Kissin). Regrettably, the mature Kissin recently delivered highly disappointing live performances of the Second and Third Concertos (Prokofiev: Piano Concertos Nos. 2 & 3), indeed, regardless of the predictable rave in the British press. This 1994 recording of the First and Third Concertos is unquestionably very good, especially the youthful First, although competition is very strong–from Graffman/Szell (Prokofiev: Piano Concertos Nos. 1 & 3) and Argerich/Dutoit (Prokofiev: Piano Concertos Nos. 1 & 3 / Bartok: Piano Concerto No. 3) in this coupling, and from the complete sets by Berman/Gutierrez/Järvi, Toradze/Gergiev and Krainev/Kitaenko.
Claudio Abbado was an Italian conductor. One of the most celebrated and respected conductors of the 20th century, particularly in the music of Gustav Mahler, he served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, founder and director of Lucerne Festival Orchestra, music director of European Union Youth Orchestra and principal conductor of the Berlin Philharmonic orchestra.
Fierrabras is a three-act German opera with spoken dialogue written by the composer Franz Schubert in 1823, to a libretto by Josef Kupelwieser, the general manager of the Theater am Kärntnertor (Vienna's Court Opera Theatre). Along with the earlier Alfonso und Estrella, composed in 1822, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition.